This kachina represents the Fire God Kachina.

Ceremonial altar cloth in shades of brown and copper-gold. Black cotton warp, bronze metallic filament weft. Continuous and discontinuous supplementary weft with silk single filament yarn. Adat house motif, with buffalo heads.

Ceremonial women's wrap skirt. The two panels of hand dyed purple silk, hand-loomed with a discontinuous warp, are stitched together at a horizontal seam that runs across the middle of the skirt. The continuous and discontinuous supplementary weft of silver thread creates a band of triangular temple-like motifs along the bottom and one side edge of the skirt and several lines of silver stars within the body of the fabric.

Turquoise silk cloth with an overlaid purple centre panel and a looping gold filament border stitched on around the edge. The top surface of the runner-like cloth is covered with a decorative hand embroidery of mixed gold and copper filaments attached in a couching-technique known as stumping, with the resultant cross hatching of the ivory coloured thread covering the under surface. Cloth has long twined strands that hang out beneath metal fringe at both ends.

Ceremonial skirt cloth (saput). Long maroon coloured cloth, hand woven on a back strap loom with discontinuous warp. The natural dyed silk is single sided and weft faced. Alternating rows of hand wrapped gold and silver thread designs decorate the central panel, framed within a gold border.

Ceremonial cloth in of songket brocade. Warp is red cotton, weft is purple silk, and the continuous and discontinuous supplementary weft is gold wrapped cotton thread. The centre motif of a traditional adat house is flanked by four karabau, or buffalo heads. The framing border of alternating gold filled squares and purple squares with crosses is thicker at the corners.

Woman's ceremonial cloth (saput). The cloth consists of two panels of red silk, hand loomed on back-strap loom with discontinuous warp and dyed with a weft ikat resist technique-known as "endek", that are sewn together with the seam down the centre. A songket supplementary weft of silver covered threads divides the central design into four rows of rectangular shapes with tall tree-like cones at either end. Within the rectangles is a red, orange and cream weft ikat.

Ceremonial altar cloth (tok wi). Long rectangle of green silk with imbedded floral patterning is hemmed on three edges and has a border sewn along the fourth edge, consisting of three different strips of fabric hand embellished with couching techniques and embroidery in gold, silver and blue thread. Two edges are lined at the back with strips of an orange coloured silk.

The wool cloth is dark purple. The button is silver and thread. The silk is dark purple.