Highly decorated hood for a bull, formed by joining two embroidered square panels along two of their adjacent edges and rounding off the point that is thus formed. The remaining two edges of the squares are left open, forming points at the bottom of the cover. Two ovoid openings, finished with binding, are located along the top edge. The two sides of the cover are heavily embroidered with square, circular and floral motifs, in red, orange, purple, green, and white, which are embellished with many round and tear-shaped mirrors on blue background. The embroidery is underlined with red-orange heavy cotton textile.

Long knife with scabbard. Scabbard is smooth silver with two bands of leaf shapes extending from centre ring; single band at opening of scabbard. Loop on one side surrounded with embossed foliate design. Flat tape braided of red-purple silk? with double braid on one side inserted through slit in the other. Handle with concave sides is wrapped with twisted silver wire. Top of handle has overall design of hexagons, each with a Y design inside, and recesses filled with a dark substance. Copper band around top of wire-wrapped area.

Ten objects of the same size and shape; triangular pieces of gold foil with green sticks glued down the back, protruding out the bottom. A second, smaller triangular foil tier--coloured red, green, pink and gold--is raised off the surface of the first by three cylindrical spacers; a red pompom sits in the centre of the second tier. A single, slender strip of peacock feather arises from the back of each object.

Small, square, flat, envelope-style dowry bag or purse made by bringing three corners of a square together, using the fourth corner as a triangular flap. Heavily embroidered with square and X-shaped, brightly coloured geometric designs and round mirrors. Loosely twisted fibre cords (red, yellow and green; 52.5 cm in length) with a yellow pompom, are used to fasten the flap shut. The embroidery is underlined with red printed cotton textile.

Bracelet of 11 flat octagonal plaques of dark blue stone mottled with yellow. Plaques decrease in size from the centre. Threaded on silk thread with fine metal strip and loop closing.

Man’s long, narrow, rectangular scarf or sash, heavily embroidered with multicoloured geometric and floral motifs and many mirrors. Arranged along the length of the scarf are sixteen square and rectangular blocks of embroidered designs, consisting of a variety of motifs, many different kinds of stitches and two styles of embroidery (kharek and pakka). The embroidery is so dense that it completely covers the background textile. The blocks of embroidery are separated by black “braid” formed from bundles of black cotton thread which is laid and couched with red thread. There is a border of silver and gold mirrors along all four edges, and the ends are embellished with green and pink beadwork and small red-orange silk tassels. A binding of dark green cotton muslin is machine-stitched along the outside edges. The underlining is pieced from plain and printed cotton and rayon(?) textile in various shades of red.

Small, flat, square, embroidered envelope-style bag, detailed with mirrors and pompoms, made by folding and stitching together three corners of a flat, square panel to form a pocket, with the fourth corner left open to serve as a flap or cover. The square-shaped embroidered motifs, formed from bars of satin stitch outlined in black, are grouped together into larger squares that are arranged in a grid, separated with narrow bands of alternating mirror-work and floral designs that form an X on the back of the bag. The square is bordered with mirror-work, alternating with floral designs. The embroidery is so dense that it completely covers the background textile. There are glass beads sewn onto the seams, which are worked in fine interlacing stitch. Small pompoms and glass beads are stitched to the lower corners. At the intersection of the three corners is a small white button, embellished with small coloured glass beads. The embroidery is underlined with red cotton textile that is printed with multicoloured designs.

Close-fitting, shoulder-length child’s hood made of red cotton textile which is heavily embroidered with medallions, geometric designs, mirrorwork and linear border motifs, worked in green, yellow, off-white, blue and black cotton and silk thread. A rectangular panel of embroidered cotton textile hangs loosely to the shoulders at the sides and back. Mirrors, alternating with blocks of interlacing stitch, form a border around the edges of this panel; a square multicoloured medallion and two multicoloured circular medallions are embroidered at the centre back. The crown is embroidered with floral motifs worked in silk floss, and there is a short fringe of green, white and blue glass beads at the forehead. Two short strands of twisted fibre are attached at the front edge, over the temples. The hood is lined with dark yellow and red cotton textile, and the edges of the hood are bound with dark yellow and green cotton bias tape.

Helmut-like hat, or cap, with a long flap in the back that covers the ears and back of the neck. It is made of a satin-weave fabric that is machine printed with multi-coloured designs of flowers, leaves and stems, and it is heavily ornamented with glass and plastic beads, metal zipper teeth, plastic buttons, cotton braid and silver-coloured ball chains. On the forehead are panels of curvilinear designs and borders of beading and metal applique. The crown consists of a circular panel of finely-worked silk embroidery on black cotton textile, topped with a beaded topknot and silver ornament. Completely lined with blue-gray cotton.

Multi-coloured woman’s tunic that is lavishly embellished with panels and bands of embroidery on both the front and the back, incorporating several styles of stitching. The garment is very stiff and heavy. On the front, there is a large embroidered panel from shoulder to hip, and the upper edge of this panel extends over the shoulders to form a narrow yoke on the back. The embroidery on this panel is so elaborately detailed and so densely worked that none of the background textile is visible. Design elements in this embroidered panel include circular and diamond shaped motifs and many small mirrors. Below the densely embroidered panel on the front are three horizontal bands decorated with triangular motifs, rickrack, sequins and metallic braid embroidery. The back of the tunic has a centre-back neckline slit (37 cm). Pouches made of yellow and red textile which is embellished with an X made of black braid are sewn into the top of the neck edge on both sides of the neckline slit. The pouches contain small amounts of dried plant material. Below the back shoulder yoke are horizontal bands of navy blue and silver brocade. A panel of orange textile, embroidered with oval and square shapes, extends to the hem of the garment. The sides of the garment are formed from vertical strips of bright pink, green and gold satin textile. The bottoms of the elbow-length sleeves are finished with several rows of diamond-shaped motifs.