Woman's dress ornament. A single piece of dark purple cord is heavily knotted into three descending ‘t’ shaped patterns. Below, the cord is tied in such a way as to allow it to fall into eighteen long loops that are wrapped at top and bottom with gold metallic wire. The ends of the cord hang between these loops. A round, textured metal broach is attached above the ornament’s midpoint. At its centre sits a jade rose holding two small metal leaves. At the back of the brooch is a stick pin.

Sixteen quartz beads (currently strung on plastic fishing line).

Fifty-eight turquoise beads, with different sizes and forms; most are partly broken. Group a) Thirty-five have a slightly twisted form; three are blue and black and two are blue and white. Group b) Twenty-one beads have square form. Group c) Two turquoise beads with a twisted form.

Four groups of thirty small stone points. Group a) Sixteen points, made of chalcedony stone. Fourteen have acute distal points, serrated edges and rounded stems. Two points have acute distal ends, serrated edges and incurvate bases. Few are broken. Group b) Six points, made of obsidian stone. Four have acute distal ends and pointed stems, one has rounded distal end and apiculate base. Few are broken. Group c) Six points, made of flint stone. Serrated edges, acute distal ends and pointed base stem; one has incurvate base. Unbroken. Group d) Two points, made of grey stone. Serrated edges, acute distal ends and obtuse stems. Unbroken.

Three spindle whorls. Spherical stones with round holes in middle. a) Made of sodalite stone, also known as"blue stone". Slightly broken. b) Made of light brown feldspar, with patina. Unbroken. c) Made of light brown feldspar. Partly broken.

Wood mask. Wide incised strips have been carved diagonally over the face and in half circle patterns across the forehead. These have been filled with white lime, creating a striped pattern. From a squared chin, the face flares slightly toward the wide, rounded forehead. Down the centre of forehead is a line that meets the nose, and off of which are carved the eyebrows. Nose widens toward bottom. Eyes are thin slits cut through the wood, with large rounded eyelids above. Mouth is a protruding cube, with lime colouring the centre. Around the edge of the mask are bored five small holes, similar in size, evenly spaced. The back of mask is concave and undecorated.

Wooden mask. The carved face has large eyes partially closed below thin brows, a thin nose with a sharp bridge and wider nostrils, and protruding closed lips. Small ears protrude from the high on the sides. Three lines are embossed on the forehead and emphasized with white pigment. A band of painted red sits at the top of the forehead, as well as along the lower eyelids. The head is decorated with stripes of carved diagonal lines. On top sit two figures, arms crossed, one leg bent underneath and the other laying outstretched on the head of the mask. Definded buttocks at back.

Paleo projectile point, made of grey chert. Lanceolate shape and serrated edge. Random flaking technique and desert varnish. Well preserved.

Paleo projectile point, made of grey chert. Lanceolate with narrow and pointed stem, serrated blade edge and acute distal end. Random flaking technique; desert varnish. Well preserved.

Flying bird with an elongated neck, on a thin stick that attaches into a somewhat square-shaped jade base (part b). Bird has incised eyes and feathers.