The wool cloth is black, blue, yellow, and white. The cotton cloth is blue and green. The bead is abalone, blue, yellow, glass, and mother-of-pearl.

The paint is red and black.

A flat comb with 15 prongs, made from light brown sticks that are thinned at the top end, and tightly held together by a cross-bar weave. The comb is triangular in shape. The upper end is covered with a black substance and inlaid with mother-of-pearl triangles, the lower part constitutes the prongs. The comb is attached to a long thin handle, which has a small piece of twine attached to it.

Charm carved from a piece of mother-of-pearl? it is roughly rectangular, with a rough scalloped back, and shaped cut-outs opposite. Colour is an iridescent white, with areas of orange and grey.

Native American artists Marcellus and Elizabeth Toya Medina and Kevin Pourier create works inspired by both old and new art forms. The painted designs on the water jar of classic Pueblo shape combine traditional masked Kachinas in static poses with naturalistic, muscled, male Pueblo dancers who seem to burst off the vessel’s surface. The inlaid buffalo-horn spoon, a traditional Plains implement, is given a contemporary twist in Pourier’s homage to M. C. Escher’s hypnotic prints.

The stain is black.

The wool is blue, felt, and red. The thread is red and white. The button is mother-of-pearl. The button is abalone.

Table carved from wood with a landscape scene depicting trees, a small house, mountains and sailboats in gold, black, and mother of pearl on a brown-red brown lacquered ground. The table sits on four legs that curl outwards, and the table base is ornamented with a slightly raised scrolling design above each leg as well as at the centre of the longer sides.