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Tapa Cloth3130/2

Small rectangular tapa cloth adhered to a board of the same size. Patterning is geometric designs in black ink on raw, uncoloured background. Centre panel is made up of diamond shapes filled with a variety of patterns. Surrounding this are triangle shapes coloured rust-orange, along with densely patterned triangles. The tapa is bordered by a repeating motif of black and rust designs on natural ground.

Culture
Wallisian and Futunan
Material
adhesive, wood, paper mulberry bark and paint
Made in
Wallis and Futuna
Holding Institution
MOA: University of British Columbia
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Tapa Cloth3103/29

Large painted tapa cloth. Design is painted in a grid of 6 rows long by 3.5 rows wide. Almost entire cloth is stamped with dense designs in a reddish brown pigment. Darker designs are painted over that. Lower layer shows light brown wavy and diagonal lines, boxed circles, flowers, etc. Of the more dominant grid patterns, the top band is split in two with a small square of hearts one side and a square formed from triangles on the other; the next band shows designs made from diamonds and flattened triangles; the next shows an oval, formed by two crescent shapes, in between two single crescents with a four pointed star and a diamond on either side. The three bands then repeat again. The rough, frayed edges of the textile are unpainted.

Culture
Samoan ?
Material
pigment, paper mulberry bark and paint
Made in
Samoa ?
Holding Institution
MOA: University of British Columbia
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Tapa Cloth3032/2

Almost square tapa cloth with geometric patterns in dark and light brown on a medium brown base. Designs are organized into two repeating, vertical halves, each with 5 repeating horizontal rectangular patterns. Each of the ten rectangles are similar, with a thin strip with two horizontal bars at the left side, then 2 squares with cross designs inside, one with a black circle at the centre, followed by two thin rows of diagonal lines in light brown. There are also several thin strips of zigzag lines in light brown running through the other designs. Half of the squares with crosses have a light brown lined background, the other half have a light brown diamond pattern. A dark brown ,heavy cotton border is attached to both side edges; a wooden bar is attached across the back upper edge. Heavy black paper is attached to (but breaking off of) the lower back edge.

Culture
Samoan ?
Material
paper mulberry bark and paint
Made in
Samoa ?
Holding Institution
MOA: University of British Columbia
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Tapa Cloth3032/1

Rectangular tapa cloth with geometric patterns in dark and light brown on a medium brown base. Designs are organized into an 8 x 6 grid of squares, outlined in dark brown. Each of the squares contains a diagonal cross piece design, some as filled in lines and some as thin, stretched ovals (propellor-shaped). Two rows have black cross-hatching covering half of the background of every other square. Three sides have a zigzag patterned border. A wooden bar is attached across the back upper edge.

Culture
Samoan ?
Material
paper mulberry bark
Made in
Samoa ?
Holding Institution
MOA: University of British Columbia
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Tapa Cloth3019/1

Long, rectangular tapa cloth densely covered in triangles, scalloped circles, oblongs and other shapes in regular repeating patterns, inside a dark interior linear border. The outer boarder is a regular pattern of small ovals enclosing sets of triangles. The decoration is printed in dark brown and black on a natural background.

Culture
Fijian
Material
mulberry bark and paint
Made in
Fiji
Holding Institution
MOA: University of British Columbia
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Tapa Cloth2997/1

Tapa cloth painted on one side. Intricate design of open form crossed lines that create large and small diamond shapes, each filled with a dense pattern of dark painted curved lines emanating from several four-petalled flowers. A solid border is painted around the entire edge.

Culture
Samoan
Material
mulberry bark and paint
Made in
Samoa ?
Holding Institution
MOA: University of British Columbia
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Tapa Cloth2947/20

Large tapa cloth with three rows of geometric designs in tan and dark brown against a medium-brown base. The patterns alternate between an hour-glass shape and a thick, diagonal tan line decorated with dark brown triangles. Rows are separated by a line of four pairs of elongated triangles.

Culture
Samoan
Material
mulberry bark and pigment
Made in
Samoa
Holding Institution
MOA: University of British Columbia
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Tapa Cloth2947/19

Rectangular tapa cloth with dark brown geometric designs on a tan base. Dark brown lines divide the cloth into a 4x6 grid. The designs in each row alternates between pinwheels and six-petal flowers with each square in the same column having the same pattern. There is a large brown area near one of the edges.

Culture
Samoan
Material
mulberry bark and pigment
Made in
Samoa
Holding Institution
MOA: University of British Columbia
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Tapa Cloth2947/18

Long, rectangular, mostly un-pigmented tapa cloth. One medium-brown column along the side with faint geometric patterns in tan. Beside the brown decoration is a brown partial hand print. There are patches of brown pigment on the un-pigmented area. The cloth’s edges are wavy and irregular.

Culture
Samoan
Material
mulberry bark and pigment
Made in
Samoa
Holding Institution
MOA: University of British Columbia
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Tapa Cloth2947/17

Rectangular tapa cloth with geometric designs in black and tan on a medium-brown base. The cloth is divided by thick black lines into a 6x6 grid. The first, third and fifth rows alternate between a brown and black floral design against a tan background and a square decorated with an abstract triangle-based pattern. The second, fourth and sixth rows alternate between a star-like pattern and a brown square horizontally bisected by a black line. The cloth has an un-pigmented border with irregular edges.

Culture
Samoan
Material
mulberry bark and pigment
Made in
Samoa
Holding Institution
MOA: University of British Columbia
View Item Record