Large bark cloth mask with a circular face, two protruding flat horns, a large protruding mouth and a cylindrical shaped neck. The forehead has a stylized painted design in brown and red on a natural ground. The eyes are large, detailed with brown and red circles while the nose and neck are decorated with red and black triangles. The back of the head detailed with black and red concentric circles. The mask is made in the form of a crocodile. The frame made of bent and tied wood. The side has I, RD; K-PUX written in black.

Tapa cloth with brown and black on natural ground. In the centre is a vertical brown line with a black zigzag pattern. On both sides of the line are rectangles with a geometric pattern including the word ‘hakauga’ and floral, leaf and circle motifs. At the ends are undecorated squares with the words ‘tagi’ and mele’ on the left and the numbers 1 to 4 on the right.

Rectangular tapa cloth with geometric designs in brown on natural coloured ground. The designs have star, crescent and line motifs scattered overall. There are bands along two edges.

Tapa cloth in an irregular shape (a rectangle with a large circle cut out of the centre) painted with stylized floral and geometric designs in brown and black covering almost entire surface.

The cloth is square and natural in colour with a triangle fringe. There is a double diagonal line extending from each corner and ending in a large brown diamond in the centre of the cloth. The triangle fringe covers all four sides.

The cloth is square and natural in colour with a triangle fringe. There is a double diagonal line extending from each corner and ending in a small circle surrounded by four diamonds in the centre of the cloth. The triangle fringe covers all four sides and the triangles from three of the sides are painted brown.

Long rectangular tapa cloth with hand painted designs in light and dark brown on natural coloured ground. There are long triangles and pairs of dots overall, separated by three bands of checkered squares. There are two diagonal bars with the letters ‘koeletautue’.

Large three-headed bark cloth dance mask. Central head extends from dome-shaped headpiece. Identical smaller heads jut out from either side of its neck. They all have large semi-circular foreheads, wide round eyes, long straight faces, and thin protruding lips. Mouths are open and have large curved circles attached underneath. Entire mask surface is painted white with stylized triangular and circular motifs done overtop in black and red. Black rectangular panels painted across backs of heads and across headpiece. Panels are filled with triangular, linear and floral motifs. Mask frame made out of bamboo rods, bent and tied together.

Very large tapa cloth (shroud type) with a light orange background, painted with a grid of squares that fully cover the piece. Each grid is filled with a linear pattern of concentric boxes or horizontal wavy lines in dark brown. On top of this are painted thick stripes running from top to bottom in brown-grey with leaf shapes protruding from the middle lines, and triangles from the side lines. The long edges of the tapa have been left uncoloured, and have been painted with cross hatching and numbers in brown. One end of the piece has been cut, while the other is finished. The underside of the tapa is also painted orange, but undecorated except for the patterning that shows through from the front.

Non-mounted, brown-black rectangular paper sample (c) 36 x 25 cm, with gold lines and rows of characters along the short axis, framed by gold lines across the long axis; straight edges. Separate protective tissue. Pebble finished, rectangular white card (b), 50 x 36 cm, with black printing in Japanese and English, describing the sample. Protective folder (a); light white-brown with irregular deckle edge on all sides. Sample has two faint black circular patches along one margin.