Daoist album leaf. Painting depicting Xu Xun and the iron pillar restraining drifters. Three figures with red hair and mallots are depicted along with a crowd of people with objects hidden from view hanging from yokes that are slung over their shoulders, all looking at what appears to be burning buildings, and a seated figure in yellow and blue robes surrounded by several warriors with swords and sticks. There are several building roofs surrounded by clouds in the background. A cylindrical object in the foreground has multicoloured flames emerging from the top and is surrounded by several building roofs partially obscured by clouds with a wall at the very front. The painting is mounted on off-white damask-patterned silk on paper.

The head of crucified Christ is portrayed through the use of traditional Northwest Coast elements of design. The red form line defines the features of the face and molds the negative white space into ovoids, split u's, and s forms that represent the hair, the crown of thorns, and the expression of agony. A four way split forms a cross on the chin. A stabilizing effect is achieved by the six split lines emerging from the head. Pencil inscription across the bottom reads 'JOHN 15:13 HEBREWS 9:28 Roy Henry Vickers 14/7/76'. The print is on a vertically rectangular, light white paper piece.

The single eagle figure is presented in primarily black form line with red secondary features against a light brown background providing negative space in the design. The head of the eagle is in profile and facing to the right side. Has a black ovoid eye, a black beak with red u forms and red lips with red u forms behine. The wings hang down on each side of the figure. Each wing has a black ovoid and red u forms across the top with red and black s-shapes, u forms, split u's, and t-shapes below. The middle section is in the form of a human face that has black ovoid eyes with black brows above, a black nose, red cheks, and a red mouth. The legs are at either sides bent at the knees with three-digit claws that vace a circle at the centre. A cross surmounts the tail feathers. There are six tail feathers with the four innermost having red u forms surrounded by a black one and the two outermost feathers, one at each side, being just plain black. Pencil insciption across the botton reads '53/150 3/6/76 EAGLE (LARHSGEER) ISAIAH 40:31Roy Henry Vickers TSIMSHIAN TRIBE KITKATLA B.C.'. The print in on a horizontally rectangular, brown paper piece.

Rectangular shaped manuscript leaf. Central section painted with four figures on horses holding mallets in one hand and a ball on the ground. The background is a stylized flowers and grass, with landscape and sky at the top. Script at the top and bottom of the image, and covering the reverse.

Rectangular parchment music sheet. Both sides have Latin inscription mainly in black with some red; three decorated initials, 'd' in blue, 'h' and 'm' in red on scrolled rectangular background of reverse colour (d on red, h and m on blue). Square notes are black; musical lines are red.

Scroll featuring a picture of four grey mice and three white turnips with green leaves; image is mounted on light brown, floral design silk brocade with paper backing. Narrow strips of contrasting floral design silk are inserted at the top and bottom of the image. Three black calligraphy characters and a red seal mark the lower left hand area. "Suldong Dang" and "Setsudo Do" are inscribed on the back in black ink.

Silk-screened red and black shark design. The shark is in profile and facing to the left side. The black circle in circle eye has red u forms in front on the black snout. The open mouth shows teeth and front fangs with a red tongue. The body has a red winged figure inside with a black ovoid eye. The dorsal fin has a red circle in a cicle with a split u above that has diagonal lines within. There is a cross in the centre ovoid on the tail fluke. Surface of water is a black notched line. Pencil inscription across the bottom edge reads '109/195 19/1/76 - SHARK - Roy H. Vickers TSIMSIAN TRIBE KITKATLA B.C.'. The print is on a horizontally rectangular, off-white-coloured paper piece.

Head of christ depicted in Northwest Coast style using s-shapes, u forms, split u's, and ovoids for the eyes, hair, and the mouth. The face and hair are divided vertically, one half red on the left side and one half black on the right side with negative spaces left grey. The red side has three tears from the eye down the cheek. The crown of thorns is only on the red side. The eye on the black side is solid in the centre while the eye on the red side is outlined with negative space. Pencil inscription across the bottom edge reads '55/100 II TIMONTHY 2: 11,12 Roy H. Vickers Tsimsian Tribe KitKatla B.C. 9/4/76.'. The print is on a vertically rectangular, grey paper piece.

Painting depicting people on horseback travelling along a stilted boardwalk road through steep mountains with trees to a village near the top of the painting. The painting is mounted on a light yellow silk background with a wooden support at the top and a wooden roller with a black laquered handle (the other handle is missing). Inscription, date and signature of the artist, Hou Mei, of the Qing Dynasty. Attached at the top is a silk tie for tying and a cord for hanging.

Painting depicting several small black and brown birds amongst bamboo, a rock outcropping, and other plants on blue-grey moss or grass, all on a beige background with brocade backing. Rolled around a cylinder with ceramic finials glazed in brown, white, green, and yellow with an incised cloud design. There is no signature, but there are many red seals at the corners of the painting and on the mounting, as well as a very large seal at the top centre of the painting.