Black and white photograph taken during the Haida House Project, 1961. Close up frontal view of the central part of the mortuary house frontal pole (A50033), showing a frog inside another figure's mouth. Signed on reverse.

Black and white photograph taken during the Haida House Project, 1961. Frontal view of the top of a carved house pole (A50031), taken close, from below. Signed on reverse.

Black and white photograph of the base of a totem pole taken during the Haida House Project, 1961. Close up side right view of carved house pole (A50031), showing an eye of a bird holding a human in its beak. Signed on reverse.

Black and white photograph taken at the UBC carving shed during the Haida House Project, 1961. Side right view of carver Bill Reid crouched on top of the partially carved Wasgo sculpture (A50029), chiseling near the head area. Signed on reverse.

Black and white photograph taken at UBC carving shed during the Haida House Project, 1961. Frontal 3/4 angle view of carver Bill Reid, crouched on top of wood making a cut in what eventually became his Wasgo carving (A50029). Signed on reverse.

One of twenty-one reproductions (a-u) of paintings with calligraphy printed in red, orange, green, grey, and blue and kept in a silk brocade folder (v). The design divides the page diagonally, with one black crab and a tuft of gray grass on an orange ground in the bottom half and two columns of orange characters in the opposite upper corner.

Framed mandala painting on primed, stretched canvas. Canvas is strung onto small painted wooden rods, which are bound with purple cord to a varnished wood frame, and mounted onto a white background within a gold coloured metal frame. The concentric diagram of outer circle, inner square, and centre circle created with mineral based shades of blue, gold, green, red, ochre, yellow and black. A pink and white flower fills the centre circle.

Scrolled ancestor portrait painting on paper with silk border at sides. Depicted is a female in an Imperial-style red robe, jeweled headdress and ornately embroidered rank badge seated on a large black chair with green and pink cushioning on a mosaic floor patterned with flowers in shades of pink, white, green, blue, yellow and black. The wood scroll bar at base of paper is covered at ends with blue patterned silk.

Framed, large scale, ancestor portrait painted on paper. Depicted is a male in an imperial-style blue robe and jeweled blue hat, with an ornately embroidered rank badge hanging from his neck, seated in a large tiger skin covered chair or throne. The red mosaic floor has a floral patterning in shades of white, green, yellow and pink with a border motif in black. A wide band of brown paper frames the painting and the actual reddish wood frame with fibreboard backing has two ornate metal hangers at top.