One print in two pieces (parts a-b). The scene shows nine figures in a comical scene. Part a, the left half, shows a male kabuki actor, to the left of a flowered screen. The other side (part b), shows eight female figures, his fans, who are in the back at the right side with a screen separating them from the actor. The screen has two white and pink flowers, with yellow centres and green leaves, on a speckled off-white background; the panel stands in a brown wood frame. The male figure at the left is facing forward with his head turned toward the women behind the screen. He is sitting cross-legged and is wearing a robe with a beige and dark brown floral pattern on a brown background. The eight female figures are in various positions, wearing clothing that is red, blue, brown, and grey. The floor is blue-green; the background is off-white. In the upper left side (on part a), is the title: 獨息子に娵八人 (Hitori musuko ni yome hachinin), which appears in black on red, in a vertical rectangle. Next to the title is a poem by Umeya. There are two circular black censor seals below the poem. Signed 一勇齊国芳戯画 (Ichiyūsai Kuniyoshi giga), with a red outlined shape below. The print is made of two vertically rectangular pieces, creating a horizontally rectangular image overall.

Two-part print, showing two men (part b) and one woman (part a). The woman is crouching down over a white rod with a yellow basket at either end on the left side. Her right hand is on the white rod while her left hand is in an upward motion as she turns her face to the right side. She is wearing clothing that has a white floral pattern in circles on pale pink and blue backgrounds. The men are on the right side with one holding the other by the scruff of the neck with his left hand while his right hand is holding up the lower portion of his garment. He is wearing clothing that has a white floral pattern with zig zags on light blue and pale blue backgrounds. The other man is wearing clothing that has a brown and black checker-like pattern on a yellow background covered by a green garment. Yellow houses are in the background with a grey-black sky and a green ground. Around the woman from the top (right clockwise) are the following: a vertically rectangular, red seal; a circular red seal with a black character next to it; and a vertically rectangular, red and yellow seal with three circular black ones around it. In the upper right corner above the men are two vertically rectangular, red seals; in the lower right corner is a vertically rectangular, red and yellow seal surrounded by three circular black seals, a circular red seal, and a black character. The print is made of two vertically rectangular pages, creating a horizontally rectangular image overall.

Print of a civil official door god (如意加官), one type of civil door god (wen menshen; 文门神). The man is shown in a long robe, with small black goatee, a long black moustache, and a long, thin, black beard. He holds a military hat with a hanging banner with writing on it, 天官赐福 (Blessings from the Heavenly officials) in his right hand. In his left he holds a ruyi (如意, scepter). He wears a hat that has dark purple on the lower portion, purple-pink on the upper portion, and orange wing-like flaps pointing out to either side. The robe is red, green, purple, turquoise, purple-pink, orange and black. Figure faces right (viewer's left). The background is plain paper. The print is vertically rectangular.

Six photographs, four in black and white and two in colour, in an upside down V-shape across a horizontally rectangular, black background titled 'ALERT BAY' in white pastel. Photos depict outdoor scenes. From the bottom left to the fourth at the top and the last two down to the right, the pictures are as follows: boats at a dock including the ‘White Wave’; boats at a dock including ‘LONDON ?’ and ‘J14’; more boats; a winter snow scene; a totem pole with two smaller ones and a fence behind; and a totem pole that has three-feathered wings at the top in front of a smaller one. Poster is covered with clear plastic sheeting attached by masking tape.

Three images in a triangular formation. Central top image has three orange and brown birds on a red, green, and orange semi-circular shape that has brown wing-like appendages. Lower left image has two blue birds facing to the right side on a horizontal green female face. Lower right image has a blue and orange bird facing to the left side on top of a frontal brown face that has an inward facing brown bird on either blue 'ear'. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'Shaman flying with Birds Oomarks Iksiraq A/P III/III 1975'. The print is on horizontally rectangular, cream-coloured paper.

Two standing figures with the purple one on the upper left side and the dark yellow one on the lower right side. The purple figure also has black lines on the face, a pair of which are triple curving lines from the nose to the top sides of the head, a pair of triple 'whiskars', and a goatee beard. There are also three horizontal red lines across the lower portion of the purple figure's body. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'Old Inuit Couple, Anguhalluq, Iksiraq 8/45/ 1975'. In the lower right corner, there is a circular embossing. The print is on a vertically rectangular, white paper piece.

Two humans in profile facing inward at either side of four animals standing in profile facing to the right side. Above, there are three birds, one fish, and implements. The humans are black, white, and grey. From left to right, the animals are the following colours: a black musk ox ?, a brown deer or caribou ?, and two black on white striped animals. From left to right, the birds are the following colours: yellow head and body with white wings, white with black syllabics, and orange and green surrounded by black and white. The turquoise fish is vertically orientated with the head down. The implements are black and white. The inner upper portion of the background is light blue surrounded by orange with red markings overall that are part of the design. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription in the lower right corner reads 'We Lived By Animals 36/42 1975'. In the lower right corner, there is a circular embossing. The print is on a horizontally rectangular, light white paper piece.

Print of a civilian official door god (如意加官), one type of civil door god (wen menshen; 文门神). Shown in a long robe with a small black goatee, a long black moustache and a thin, triangular black beard. He holds a military hat with a hanging banner with writing on it, 一品当朝 (To be the highest court official) in his left hand. In his right hand he holds a ruyi (如意, scepter). He wears a civic official's headdress, that has dark purple on the lower portion, purple-pink on the upper portion, and orange wing-like flaps, one at either side. The robe is red, green, purple, turquoise, purple-pink, orange and black. The figure faces to his left (viewer's right). The background is plain paper. The print is vertically rectangular.

Depicted is a military door god (wu menshen; 武门神) named Yuchi Gong (尉迟恭). He has an orange and red face, a black mouth, a small black goatee, a wide, horizontal, black moustache, and a thick, black beard; he is wearing a multi-coloured robe with pink-orange shoes. Pink-orange hands are holding a sword each with his left hand holding the sword upward while his right hand is holding the sword outward horizontally. Six blue-feathered arrows that have purple shafts are at his right side. Figure is standing at a slight angle facing to the right side. Background is simply the plain paper. The print is vertically rectangular.

Print depicting three gods known as the Sanxing or Three Star Gods (三星), Fu, Lu and Shou (Happiness, Fortune, and Longevity), with three children. Child at the front is holding a green pomegranate and is wearing clothing that has a green flower with blue leaves pattern on a red background while the other child is being held by the male figure standing to the left side. Faces are pink and white. The god Lu at the back and the god Fu at the left side both have red mouths with a long black moustache, a small black goatee, and a black beard in strands. The god Lu at the back is wearing clothing that has a green and blue cloud pattern on a red background. Behind him, there are various connected red, blue, and green ornaments with a writing, 三星在户. The god Fu at the left side is wearing clothing that has a red flower with green leaves pattern on a dark blue background. The god Shou at the front right side has a large forehead, a bald head, a red mouth, a long white moustache, a small white goatee, and a bushy white beard. He is holding a staff and is wearing yellow clothing that has a red, green, and blue trim. The child behind has her hair adorned with ornaments and is wearing light blue clothing. Background is simply the plain paper. The print is vertically rectangular.