Silkscreen print design of an eagle (larhskeek). The head is in profile and facing to the right side. Has a circular black eye outlined by a tapering oval. The black beak has two sideways red u forms and a blank upside down u form. The open black mouth has a red tongue. There are two red u forms behind the mouth. Two small feather-like shapes are down along the top of the head. The neck has a red split u. The chest has a black ovoid with an L-shape and a t-shape. At either side, there is a sidewsays red split u surrounded by a black u form. Belwo this, there is a red u form above a smaller one and three red s-shapes, all of which are surrounded by a larger black u form. Below this, there are five black feathers. The red claws are inward on the body. The tail has has three feathers, each of which has a red split u surrounded by a larger black u form. Pencil inscription across the bottom edge reads '11/160 29/05/75 EAGLE (LARHSKEEK) TSIMSIAN TRIBE KITKATLA B.C. Roy H. Vickers'. The print is on a vertically rectangular, light grey-blue paper piece.

Silkscreen print design of the moon. The black moon has a circular face with circle in ovoid eyes. There is an ovoid below the eyes with the nose in between and two long, thin segmented lines angling inward to come to a point above the centre. There is a mouth and a chin. The ears have a sideways split u surrounded by a black u form. There are six protrusions around the circular face, four along the top and two along the bottom, each of which has a split u surrounded by a black u form. There is a black star shape at the top right corner. Pencil inscription across the bottom edge reads '84/200 2/7/75 THE MOON TSIMSHIAN TRIBE KITKATLA B.C. Roy H. Vickers'. The print is on a vertically rectangular, yellow paper piece.

Daoist album leaf. Painting depicting Xu Xun and the inquiry about crossing the river at Jinling. Two male figures in robes are standing on the shore with grasses at the edge of the land, and one is speaking to a man standing at the front of a docked boat. Another male figure is pictured inside the boat. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the tossed goblet that turns into doves. A man is standing inside a building in front of a table with five white cups in front of him. There are two other tables, each with white cups lined up. The figure's hand is raised towards two white birds flying out of the building, and there are several male figures, most of whom have swords, flags or other weapons, standing at the threshold of the building and walking away from the building. The tops of flags and weapons are poking out from behind clouds. There are blue and green rocky outcrops in the foreground, and blue and green mountains in the background. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and lemon grass enducing offerings. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Gold painted Chinese calligraphy in five columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and the depiction of the transcendent lasses bestowing swords.

Daoist album leaf. Painting depicting Xu Xun and the transcendent lasses bestowing swords. A man in green robes with a blue border is seated on a rug holding a sword with two other swords at his feet. A young man is standing beside him holding a yellow rectangular object. Five women are standing in front of the seated male figure, and three of them are holding swords. The painting is mounted on off-white damask-patterned silk on paper.

Hanging textile Thangka painting. The imagery shows the Vajrayoginī/Vajravāhārī Mandala, multiple-armed figures arranged like a six-pointed star, with an eight-petalled flower at the centre. All in polychrome on a green background. The scene is bordered all the way around with a patterned orange-red, orange-yellow, and brown fabric. The painting has a plain orange-yellow silk cover. The top has a flat hanging rod with orange-red ribbons, and a light orange loop.

Daoist album leaf. Painting depicting Xu Xun and the lingering aberrant asking about the sword. A male figure dressed in blue and gold robes with a gold border is holding a sword. Behind him are a young male figure and five other male figures. The figure in the blue robes is pointing towards a male figure in green robes, who is part of a group of ten other male figures. They are all standing on a hill with green and blue rocky outcroppings and trees. There is a group of buildings behind a fence pictured in the distance. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the Jia family shifting its residence. A figure in light purple robes with a blue border is standing on the threshold of a building with a rooftop garden. He is flanked by a young man with a sheathed sword on his back, a man in blue, gold and green clothes holding a sword, and a male figure in light blue robes with a blue border, all bowing towards the central figure. 19 figures are pictured carrying furniture, tools and bundles behind green and blue hills. The painting is mounted on off-white damask-patterned silk on paper.