Daoist album leaf. Painting depicting Xu Xun and the crocodile infiltrating the Jia family. A male figure in green and gold robes with a blue bordfer is standing inside a house with his sword drawn and holding a white cup. There is another figure in blue, gold and green with sword drawn against a snake-like crocodile figure with a coiled and undulating body. Four female figures are pictured inside the house, and six male figures are pictured outside the house. There is also a young male figure inside the house with as sword sheath(?) on his back. The house also has a rooftop garden, and there are green and blue mountains in the background. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and an injured crocodile fleeing into a well. A male figure with a raised sword is standing beside two oxen that are butting heads. One of the oxen is light brown, and the other is dark grey. To the other side of the image is a red building with a white vertical sign and a wall extending out from its base. In the distance is another red building with a horizontal white sign and a cylindrical yellow object beside it. This building is flanked by the roofs of several buildings. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the extermination of fiends and protection of the elixir. Six male figures, some with weapons, each with a small fiend figure in their hands, and a seventh figure preparing to use a weapon on two find figures floating above him with their arms raised. On the other side of a stream is a male figure holding a sword and wearing light blue and gold robes that have a darker blue border. Beside him is pictured a young man holding a sword sheath. The figures are surrounded by green and blue rocky outcrops and clouds. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and great merit rescuing from afar. A male figure in blue and gold robes with a black border and three other male figures standing on one side of a river, and a group of people on the opposite shore, many of which are drinking from white cups and others are carrying containers. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun curing ailments with a divine prescription. A figure in a red robe is writing calligraphy with several people lined up at his table and a young man standing beside him holding a red parcel. Another line of people is being given a cup with liquid by a man with a barrel and ladle. The figures are surrounded by trees as well as blue and green rocky outcroppings. The sky is blue with off-white and dark pink clouds. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun rescuing the poor with transmuted gold. A male figure in a blue robe is pictured weighing gold inside a building with three other male figures around him. Outside the door of the building are several smiling male figures, each with a platter of gold, and there is a line of male figures with long-handled digging tools as well as several other figures digging up gold from the soil on the other side of a wall. Several trees and blue and green rocks are also depicted. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun taking up office at Jingang. Two men are pictured standing at a table with a piece of paper, brushes, and ink. They are surrounded by several male figures standing both inside and outside of the building in which the table is situated. To the side are several more figures gathered around two columns of script under the roof of another building. The figures are surrounded by trees as well as blue and green rocky outcroppings. There are off-white and dark pink clouds as well as blue sky in the background. The painting is mounted on off-white damask-patterned silk on paper.

The rectangular stencil has a cut design of dotted lines with an ikat floral motif in between. One register mark is located in each quadrant. A notch is located on one long edge.

The rectangular stencil has a cut of five thistles: three with centres, two in outer profile only. One register mark is located in each quadrant. Two notches are located in the bottom right corner. Traces of Japanese over the front face and a line of large Japanese script on reverse side.

The rectangular stencil has a cut design of one large iris and two large half iris motifs. Register points are located along the edges of the design. Traces of Japanese script on the back and Japanese characters along short side on the front.