Daoist album leaf. Painting depicting Xu Xun selecting a scenic site for nestling perfection. Two men and two young men are standing together to one side of the painting with another man standing opposite, arms raised, outside a building on green grass with trees as well as blue and green rocky outcroppings. The background is composed of off-white and dark pink clouds, blue sky, as well as blue, green and grey mountains. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun seeking a master and taking up a study of the Way. Two male figures are seated inside a building with three young male figures standing to either side. One of the seated figures has his hands clasped, and the other is holding a piece of paper with text and has a cylindrical object beside him. The building is at the edge of a cliff with trees and green and blue rocky outcroppings. The painting is mounted on off-white damask-patterned silk on paper.

The dark brown rectangular stencil has an overall komon cut design of horizontal line segments alternating with pairs of dots. A register point is located in each quadrant. Two joined dots are cut in one corner.

The dark brown rectangular stencil has an overall komon design of vertical rows of wavy lines of dots alternating with straight lines of small squares, t-shapes and lines.

The rectangular stencil has a cut design of four linear sections of chrysanthemums alternating with five areas of concentric circular motifs. Register points are located along the edges of the design.

The rectangular stencil has an overall cut design consisting of three staggered lobed motifs. The cut off portions on sides suggest a repeat of the pattern both ways. Register points are located along the edges of the design.

The rectangular stencil has a cut design of two large chrysanthemums with leaves and a scroll work pattern. A register point is located in each quadrant. There is a fan-shaped cutout in one corner. There are traces of Japanese script on the back.

The rectangular stencil has a cut design of two medallions containing a peony, two buds and leaves surrounded by a scroll work pattern. Register points are located along the edges of the design. There is a fan-shaped cutout near one corner. There are traces of Japanese script on the back.

Daoist album leaf. Painting depicting Xu Xun using a talisman to keep Lake Po[yang] in check: a figure on a cliff above rough waters is holding an oblong object with his sword stuck in the ground in front of him and a building in the background, and to the side are two other figures wading in water holding a long rectangular object with geometirc markings while a figure in blue robes points a sword towards the water and another figure in pink with a sword on his back stands beside him. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and eight ropes binding the veins. A seated figure is flanked by two groups of warriors holding swords, there are several figures pulling on chain-like ropes attached to the base of a tall object with a rounded tip set inside a rectangular base, and six figures in pairs transporting lengths of chain-like rope on sticks with the roofs of three houses in the foreground and pink and off-white clouds set against a grey sky in the background. The painting is mounted on off-white damask-patterned silk on paper.