Daoist album leaf. Painting depicting the episodic vestiges of the disciples of the Perfected Lord, ex post facto. Six male figures are depicted, each with two faint Chinese characters to the left of their head. From left to right the figures are: a man in light blue-green robes with a blue border and a small light blue-green head ornament; a man in blue and gold robes with a black border and a black headdress; a man in light pink robes with a blue border and a small brown head ornament; a man in light yellow robes with a black border; a small light yellow hair ornament, and a mace(?) with white hair attached to the top; and a man in green and gold robes with a blue border standing in profile. There is a red seal in the bottom left-hand corner. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting the episodic vestiges of the disciples of the Perfected Lord, ex post facto. Six male figures are depicted, each with two faint Chinese characters to the left of their head. From left to right the figures are: a man in light blue robes with a blue and yellow border wearing a small headdress and holding a fan(?) in his left hand; a male figure with light purple robes and a small yellow hat; a male figure with green and gold robes that have a blue border and a black headdress; a man wearing yellow robes with a blue border and a dark grey hat; and a man wearing red and gold robes with a blue border and a small white head ornament. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and lasting affection reaching the people at large. Two men are standing in front of an image depicting a man in red and gold robes with a blue border, and there are several men outside walking away from the building with a procession of people depicted behind the glue and green mountains. The painting is mounted on off-white damask-patterned silk on paper.

The light brown rectangular stencil has an incomplete cut design with the completed design on an attached sheet. The design contains abstract circular patterns and floral and bamboo motifs. There are four register points two on each side. There are traces of Japanese script on the back.

The rectangular stencil has a cut design of two carps and two boxes carved with a leaf motif and tied with string. There are four register points along one edge.

The rectangular stencil has a cut design of an overall plum motif.

Painting consisting of a loose zigzag in orange pastel, six quills forming an abstract figure, a segment of light blue ribbon, and a shorter segment of black ribbon, all on a painted green background.

Print depicting Chief Red Bear of the Arapahoe Nation. The chief is shown in three-quarter view with his head in profile, and he is wearing traditional dress complete with beadwork and skin as well as a feather attached at the back of his head. He is set against a background of a yellow and orange sky with hills in the distance, and cacti, rocks and vegetation in the foreground. White and dark green border.

Paper scroll with panted scene of three figures on horses hunting a spotted feline with two tigers in the foreground and a deer-like animal just below the spotted animal, and five more hunters near the centre are hunting two rabbits and two deer. Mountains in the background. Border of green abstract pattern on off-white paper with a thin line of orange around the edge of the painting.

Calligraphy depicting a series of black ink bird and butterfly images in a column on a piece of off-white rectangular paper. At the side are a series of Chinese characters with a stamped red seal in a column that runs from the middle of the page to the bottom.