Daoist album leaf. Painting depicting Xu Xun and the setting up a of a retreat at Longcheng. A male figure dressed in light purple and gold robes with a blue border is holding up a red oblong object with a sword in his other hand. Beside him is a young man holding a green cup with a sword sheath on his back. A stream runs past the figures, and there are blue, green and grey mountains in the distance. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the drawing of a sword and disgorging of a spring. Seferal figures are shown collecting and carrying pails of water. At the centre is a male figure in light green and gold robes with a blue border dipping a staff into the stream with a young man holding a fan standing beside him. The figures are surrounded by blue and green hilss and trees. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Painting depicting Xu Xun and the destruction and leaving asunder of an aberrant shrine. Five men, one of whom is holding a staff, are standing in a group in front of a male figure in off-white robes with a blue border who is pointing past a young man holding a sword to a burning building. The scene is framed by trees as well as blue and green rocky outcroppings, and there are clouds and a blue and green hill in the background. The painting is mounted on off-white damask-patterned silk on paper.

A hanging scroll painting of a landscape scene with mountains in the background and having houses, pine trees, and water forming the middle, and the foreground. Zig-zag water pattern flows from the high distant background into the foreground. One human figure is seen sailing in a junk in the middle ground. Predominant colours used are brown, green, and black. Four vertical lines of poetry are written in black on the upper right corner with one red seal and another red seal at the opposite corner. Dotted stroke technique. The painting has a cream-coloured border of patterned fabric. There is a semi-cylindrical rod at the top with a brown cord bound by metal wire and cream-coloured brown fabric with a dark blue ribbon. There is a cylindrical rod weight at the bottom covered with yellow, blue, and green patterned fabric.

A hanging scroll painting of a winter landscape scene with gnarled trees and a waterfall in the background. An elderly traveller wearing a hooded robe is carrying a staff. Predominant colours are black with some red and green. The painting has a cream-coloured border of patterned fabric with grey-green patterned fabric at the top and at the bottom. There is a semi-cylindrical rod at the top with a light brown cord bound by metal wire and brown fabric with a white cloth ribbon. There is a brown wood cylindrical rod weight at the bottom covered with grey-green patterned fabric.

Print depicting three figures: an Inuit man holding an object in his hands, an Inuit woman with a child that appears to be Caucasian in her parka, and a Caucasian man. Below the print is written, "Whaler's Exchange Lithograph 8/50 Dorset 1989 Napachie" with the artist's name written in Inuit syllabics below the Roman letter version. The printmaker's name is printed with the Cape Dorset stylized red igloo seal at the left-hand corner. The Canadian Eskimo Arts Council and Cape Dorset Cooperative blind embossed stamps are in the bottom right-hand corner.

Seated drummer wearing boots, short pants, and a mask with two slits for the eyes, as well as several holes in lines that run horizontally out from the nose, and radiate out from the mouth. He is holding a drum in his left hand and a drumstick in his right hand. Below the image is written, "Masked Drummer Stonecut & Stencil 3/50 Dorset 1989 Kananginak." The name of the artist(?) is written above the printed name of the printmaker(?) along with the Cape Dorset stylized red igloo at the bottom right-hand side of the image. The Canadian Eskimo Arts Council blind embossed stamp is in the bottom right-hand corner.

Silkscreen print of stylized Haida beaver. Bilaterally symmetrical frontal sitting beaver has red and black interior designs; bent forepaws grasp black bar with three vertical red lines; frontal human at base of tail between hind paws. Head: u shaped ears have interior split u; below ears, eyes with crescent-like forms in ovoid pupils, pointed eyelid lines; two u forms on cheeks; large rounded fleur-de-lis like nose is joined to lip band and surmounted by three stacked frontal human faces; prominent front teeth extend over lower lip band, two upper and lower teeth to either side, all teeth have u form decoration. Body: circular shoulder joints have circular salmon-trout heads; ovoid hip joints have ovoid salmon-trout heads; fore and hind paws have four articulated phalanxes; circle and crescent designs inside knee and elbow joints. Tail: frontal sitting human has curvilinear arms and legs at sides, outward facing palms; oval body has s curve ribs and a circle in lower abdomen; large round head surmounted by four u forms, one is crosshatched. Signed and titled by artist; marked as a remarque print by small pencil drawing of wolf's head at bottom right. Open Pacific Graphics embossed logo in lower corner on left.

Print depicting three Arctic birds, each with light yellow breasts, and a brown body and wings with an overall black crescent-shaped pattern. One is facing away from the other two birds with its beak open and curled tongue protruding. Of the two remaining birds, the top most bird is front-facing and has its head bent downwards, which seems to indicate that the bird is preening itself. The remaining bird is pictured in profile and is bent forwards with its beak aimed towards the foot of the open-beaked bird. The Cape Dorset stylized red igloo seal is printed above the name of the printmaker, which is in Inuit syllabics, in the lower left-hand corner. Below the image is written, "Sitgarriat Lithograph 2/50 Dorset 1977 Kananginak," with the name of the artist written in Inuit syllabics. The Canadian Eskimo Arts Council and Cape Dorset Cooperative blind embossed stamps are in the lower right-hand corner.

A hanging scroll painting of a winter landscape scene with mountains, pine trees, and a man mounted on a donkey riding toward a house. Predominant colours are grey, black, green, brown, and orange. The painting has a cream-coloured border of patterned fabric. There are black characters along the top with a red seal. There is one red seal on the bottom of one corner with another four red seals on the other bottom corner. There is a semi-cylindrical rod at the top with a burgundy-red cord bound by metal wire and cream-coloured fabric with a light purple ribbon. There is a cylindrical rod weight at the bottom covered patterned fabric.