Drawing shows a blue bear with Northwest Coast style facial features and two people, one of them holding a paddle, in the upper right. Below them is a logging scene with a jumble of menacing machinery and a crane rising out of it. Speach bubbles and text run across the centre of the image. The reverse is almost completely shaded with pencil, except for a face sketched in the corner.

Page torn from a sketchbook with images on both sides: the front shows Northwest Coast style design outlined in ink and pencil and filled in with yellow and red watercolour; the reverse features pencil sketches of six faces, one coloured in with pencil crayon.

Print with two serpentine shapes with shifting grey-green hues, running vertically up image. Grey arcing points also run vertically up image with light yellow-brown semicircles where the arcs meet the edge of the image. Background shifts in colour from black to dark green, and there is a grey-green band at the bottom if image. Edition number, title, signature and date are at the bottom in pencil. Edition 54/100.

Print with black border and a thinner green border within. Middle of image features two eyes. Above this are Northwest Coast design elements featuring two more eyes and several other shapes. The bottom half of the painting is dominated by a large set of teeth with red colouring between them, that terminate in a green bump containing a three pointed white shape. Edition number, title, signature and date are at the bottom in pencil. Bottom right has hand impression embossed from behind. Edition 16/111. Framed.

Print with black borders and white background. The image shows Northwest Coast design elements featuring several eyes and a large set of teeth. The teeth have dark red colour between teeth and terminate in a green bump containing a three pointed white shape at the bottom of the print. The top of the painting is predominately red and dark red. Edition number, title, signature, and date are at the bottom in pencil. Bottom right has hand impression embossed from behind. Edition 16/111. Framed.

Watercolour storyboard panel with several separate image; images are divided by blue and red curvilinear bands resembling Northwest Coast style formlines. The top left corner shows a chainsaw. Below this is a scene of a man in the forest wearing a hardhat and lighting a cigarette. The top right shows the man with the chainsaw cutting down a tree. The scene below this depicts the man's feet by a tree stump with mist swirling around them.

Watercolour storyboard panel with several different images. The top portion of the panel contains two scenes: the window of a house and a man and a woman sitting on the other side of the window. The man wears a plaid shirt with pink suspenders and holds a steaming cup. The middle of the paining shows the man with his hands clasped. The bottom of the painting shows a landscape scene of mountains and water with a house in the lower right corner. The various parts of the painting are divided by blue curvilinear bands resembling Northwest Coast style formlines. Note: white out.

Storyboard-like black and red drawing in four separate panels. The top right panel shows a bird face and a landscape scene. The lower right panel shows a person with glasses, another person behind, and forest scenes. The lower left panel shows two groups of two people talking and birds in water. The upper left panel has penciled shapes at the top and a scene of houses and trees below. There is writing overall.

Rectangular wood panel with a painting of a frontal raven design. The raven's head is in profile. The design is red and black on plain wood. There are eye hooks on the back. In red, at the lower right corner, the signature reads 'Lyle Wilson'.

Rectangular panel with a painting of a front facing beaver design. Left side has a natural indentation in the wood (where a knot used to be) and the entire side has been left unfinished. There is a knot in the wood above the beaver's head. A piece of wood has been replaced in the right side (adhered in place by the artist). There are eye hooks on the back of the panel. Design is done in red and black. In red, at the lower right corner, the signature reads 'Lyle Wilson'.