Rectangular calendar print depicting Ganesha, Shiva and Parvati seated with a white bull, Nandi, lying in front. Ganesha is wearing a red dhoti, white and blue beaded necklace, along with a red and gold crown. He is holding an object in all four of his arms. Shiva is wearing a yellow dhoti with tiger skin around his waist, red and white garland along with many beaded necklaces. He has a topknot in his hair which spouts a white liquid. Parvati is wearing a red and gold sari with a gold crown. The Himalayas are in the background. Calendar from A & F Harvey, Madura Mills Co., Ltd.. Calendar months are printed around the outer edge. Various company labels are at top and bottom. Metal strip runs along bottom edge. Back of calendar has long text passage printed on it titled 'Sri Sankara'.

Print has a black border and is divided into three spaces by two blue vertical bands. Outer spaces are empty. Centre space has two separate designs. Upper space has an oval design in red with two black spheres within and a black design below and beside. Lower space has heavy black curved design meeting at the upper edge and containing two red design elements. Pencil Inscription along the bottom edge reads 'MP Canoe Cranmer / 96'. The print is on light brown paper. (Now framed.)

Print depicting cattle in a field along with groups of people. There is a large tree in the middle of the field. Print of Chiryu Station (#39). This is one of a series of reproductions of the "53 Post Stations on the Tokaido Hwy." from Nihonbashi to Kyoto (Hoei-do edition). Print is matted on a piece of white-yellow paper and has an additional cover page that folds over the print. A printed inscription on the cover page reads: “ CHIRYU Near Nagoya. Even today a horse-fair is held here. Judging from the print, there must have been no red horses in olden times." There are Japanese characters at the top, bottom, and side of the printed message.

Black and white engraved intaglio print. Cross-hatching fills the negative spaces, creating a black background with white figures. Designs on figures are also in black. Main figures are a large raven, three men, and a sun with another figure trampled on the ground. Raven has an arrow-shaped tongue while men have long, curling, extended tongues. Depressed area around image caused by printing plate is approx. 0.4 cm. wide. Inscription is written in pencil below image and reads 'Artists Proof V/V "Raven & the First Men: Overlooking Wreck Beach" Lyle Wilson 09/28/99'. The print is on a horizontally rectangular, white paper piece.

Rectangular, pink card with eight columns and four rows of Chinese characters in black ink.

Rectangular, pink card with three Chinese characters in black ink.

Object is a sheet of paper with nine transfers on adhesive tape attached. All the transfers are taken from jewelry decorated with Northwest Coast style designs. Five transfers are taken from pendants, two from earrings, one from a ring, and one from a bracelet. At the top of the page are the five pendant transfers, oriented vertically, in a row. Below are two earring tranfers and one ring transfer. Below these, is the bracelet transfer. The earring set and the bracelet have inscriptions in pencil. The inscription for the ring is in black ink, and those for the pendant transfers are in blue ink.

Image of a human figure facing right with a machette-like purple and orange knife in his left hand. His eye, eyebrow, and nostril are green. He is wearing clothing that is long and grey at the back outlined by yellow with a purple fringe. Brown pants with yellow and orange trims. Yellow legs and feet with orange shoes. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'MAN IS A KILLER 20/40 1982 JESSIE OONARK P. Toolooktook'. In the lower right corner, there is a circular embossing. The print is on horizontally rectangular white paper.

Series of six frontal images of purple and green animal heads with seven profile left side facing images of brown human heads that are coming from behind the animal heads. The work is centrally focused and is arranged in rows. The faces of the animals are speckled with ink. The artist's inscription is entered at the bottom right corner in yellow ink and pencil, with a logo (accpa ?). In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'Happy Spirit Faces 26/30 1981 Irene Tiktaalaaq'. In the lower right corner, there is a circular embossing. The print is on a horizontally rectangular, white paper piece. Print is hinged on white matboard.

A horizontally rectangular, light yellow paper piece folded in half, creating two vertically rectangular images, one on either side. The left image has a black, white, and red rooster and a hen wigh green grass and a black basket or a cage ? to the side. The right image has a grey and black forest scene of trees and a stream.