Print depicting two people walking through a green city gate with buildings to each side and a mountain in the background.

Print depicting a standing figure looking down at a seated old man. Above the figures is a scroll with columns of text, light background patterns and two plants with a printed red outer cover. Below is printed more text, and there are several more columns of text as well as seals throughout. The print is adhered to a card backing with a rice paper window overtop and a rice paper cover attached along one side of the backing.

Two rectangular prints (parts a-b) each depicting a civil door god (wen menshen;文門神), shown in opposite colours and positions. Both are wearing an elaborate headdress. Part a depicts a man in a mostly red robe, with green and yellow parts. He holds a flat oval shaped scepter, known as huban (笏板) in his right hand, and an orange ritual wine vessel known as jue (爵) in his left hand. He is facing to his left (viewer's right). Part b depicts a man in a mostly green robe, with red and yellow parts. He holds a flat oval shaped scepter, known as huban (笏板) in his left hand, and an orange ritual wine vessel known as jue (爵) in his right hand. He is facing to his right (viewer's left).

Two rectangular papers (part a-b) depicting military door gods (wu menshen; 武门神), named Qin Qiong and Yuchi Gong (秦琼 尉迟恭). Each wears a yellow, red and green elaborately layered outfit that consists of wing-like projections from his back, a headdress, and boots. Part a depicts Yuchi Gong (尉迟恭) who is shown holding a brown guandao pole weapon with a green blade top in his right hand; in the left hand he holds a bow behind his back. Part b depicts Qin Qiong (秦琼), who is shown holding a brown guandao pole weapon, with a green blade on top, in his left hand; in his right hand he holds a sword behind his back. Bright red background.

Two rectangular papers (part a-b) depicting military door gods (wu menshen; 武门神) named Qin Qiong and Yuchi Gong (秦琼 尉迟恭). Each wears an elaborately layered and brightly coloured outfit that consists of wing-like flags from his back, a headdress, and boots. Part a depicts Yuchi Gong (尉迟恭). He is shown holding a long staffed axe in his right hand and in his left, a sword behind his back. Part b depicts Qin Qiong (秦琼). He is shown holding a long blue guandao pole weapon with a white blade top, and a pointed yellow bottom. In his opposite hand he holds a red bow behind his back. The background is a pattern of orange and yellow geometric I-shaped designs.

Daoist album leaf. Gold painted Chinese calligraphy in eight columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and the depiction of great merit rescuing from afar.

Daoist album leaf. Gold painted Chinese calligraphy in six columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and the depiction of him curing ailments with divine prescriptions.

Daoist album leaf. Gold painted Chinese calligraphy in eight columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and the depiction of him rescuing the poor with transmuted gold.

Daoist album leaf. Gold painted Chinese calligraphy in eight columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and depicts him taking up office at Jingyang.

Daoist album leaf. Gold painted Chinese calligraphy in seven columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and the depiction of his sense of equity, which deters wrongful gain.