Daoist album leaf. Gold painted Chinese calligraphy in 17 columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and the depiction of the transcendent entourage descending in welcome.

Daoist album leaf. Painting depicting Xu Xun and the bidding farewell to worldliness at the home assembly. A male figure wearing red, gold and blue robes is seated at a table with several other male figures inside a building. Several other male figures are gathered in groups outside the building. Blue and green rocks and a tree form the foreground. The painting is mounted on off-white damask-patterned silk on paper.

Daoist album leaf. Gold painted Chinese calligraphy in ten columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and the depiction of bidding farewell to worldliness at the home assembly.

Daoist album leaf. Gold painted Chinese calligraphy in 16 columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and the depiction of the celestial writ bestowing instruction.

Daoist album leaf. Gold painted Chinese calligraphy in 10 columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and the depiction of cloud-borne cranes providing an auspice.

Daoist album leaf. Gold painted Chinese calligraphy in 14 columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and the depiction of proceeding in a boat, embraced by dragons.

Daoist album leaf. Gold painted Chinese calligraphy in four columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and the depiction of the inquiry about crossing the river at Jinling.

Daoist album leaf. Gold painted Chinese calligraphy in 14 columns on a piece of brown silk that has been mounted on off-white damask-patterned silk on paper. The text relates to Xu Xun and the depiction of the tossed goblet turning into doves.

Print of man lying on the ground facing upwards with a woman rising from his rib. Large bird arches over the two human figures at the top of the print. Overall colours are black, and red on a white background. A handwritten inscription at the bottom of the print reads: " 85/100 Feb. 77. 'The Creation of Eve' Roy Henry Vickers Tsimshian Tribe Kitkatla B.C." There is an embossed with a circular inscription that reads: " Canadian Native Prints Limited." There is an embossed salmon design in the centre of the stamp.

A rectangular paper design sheet with a grid pattern. Two horizontal rows of brown X-patterned figures with a few orange accents. Main design starting from the top to the bottom is consisting of the following: a bird(?), a deer standing, and a deer resting on the ground.