A black beaver in a circular position with the head touched by the tip of the tail. The face is at the base of the tail. Cross hatching and ovoid designs used throughout. The etching is on a vertically rectangular, light brown paper piece.

A black triangular shaped design consisting of a head in the centre with arms and hands extending at either side along each of the three sides. Cross hatching and ovoid designs. The etching is on a relatively square light brown paper piece.

A black raven-like figure in profile and facing to the left side. Has a circular head-like object in the open beak. Wings and claws are slightly spread. The left wing has six feathers while the right wing has seven feathers. The three-feathered tail curves inward. The etching is on a horizontally rectangular, white paper piece.

A black and grey ovoid shape with fin-like projections out of the top on the left side and out of the bottom on the right side. Cross hatching in each fin and in the centre of the ovoid. The etching is on a vertically rectangular, light brown paper piece. Note: this piece is almost perfect mirror-image of 1401/1.

Stoncut and stencil print with a black and white border around the central design. There are two red, black, and white ulus with one at the top and one at the bottom. Two horizontal white hearts on each side. Between the hearts and ulus, there are four brown and turquoise fish like creatures. In the middle, there is a yellow circle with a black centre containing four small circles within circles. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'Magic Circle, A/P III/III 1971 Oonark, Seevoga'. Stamped with names of artist and printmaker in Inuit syllabics in monogram form with Baker Lake bow and arrow in right corner. The print is on vertically rectangular white paper, mounted on off-white matboard and framed.

Inside the circle there are ten figures. The figures are leaning, touching or running toward the central figure. Outside the circle, at the top, two figures facing each other have red and green horns, one has one leg and the other has none. Underneath and continuing clockwise, there are two green and red figures reaching out to touch the circle and one green legless figure with a bird beak that has two arms toward the circle. A figure with a hunchback is reaching out to the break in the circle. Red and green lines radiate from all figures touching the circle. A figure on left hand side is aiming spears at one legless figure. Names of artist and printmaker in Inuit syllabics written in pencil. Canadian Eskimo Arts Council stamp of approval and Cape Dorset stamp blind embossed in left hand corner. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'Evil Spirits Surround the Igloo 28/39 1972 Oonark, Tullik'. In the lower right corner, there is a circular embossing. The print is on horizontally rectangular white paper.

A red, bright blue, and black image consisting of a central design surrounded by other images along a black rectangular border. The central design is a shark figure with a fisherman on its back. A harpoon has pierced the back of the shark, releasing red curls of blood. The border has three images in rectangular blocks, the lower two in blue and the upper left in red. Pencil inscription along the bottom edge reads "Opetchesaht Tribe Kwatyaht and Mamasiyeek 36/75 by Hupquatchew". There is an embossing on the lower right corner for 'NORTH WEST COAST INDIAN ARTISTS GUILD member' with a salmon-trout head at the centre. The print is on vertically rectangular, olive green paper.

A red, bright blue, and black design consisting of a central design surrounded by a red, bright blue, and black fragmented rectangular border. The central design is consisting of a thunderbird with upraised wings on top of a whale. Both are in profile and are facing to the left side. Pencil inscription along the bottom edge reads 'Kwatyaht and Teetskin Opetchesaht Tribe 36/75 by Hupquatchew'. There is an embossing on the lower right corner for 'NORTH WEST COAST INDIAN ARTISTS GUILD member' with a salmon-trout head at the centre. The print is on vertically rectangular, olive green paper.

Felt pen drawing of a figure with a circualr yellow face that has a prominent light pink nose, almond shaped eyes, a line of small circles diagonally along the cheeks, and tear drop shapes falling from the mouth on to the chest. The head has a light pink circle around it with multi-coloured feathers attached to it. Right edge of paper has broken wire scribbler holes. Along the bottom edge, there is the artist name signed in Inuit syllabics. The print is on vertically rectangular, white paper.

Tree fungus with painting on one side. Painting appears to be the face of a sea creature in red, black, green, and white.