Print depicting a woman on a sled that is being pulled by a harnessed bird figure with a humanoid head. The woman is holding a whip and she has a curved tail with an animal at the end. Below the image is written, "IN THE NIGHT SKY STONE CUT 12/50 CAPE DORSET N.W.T. 1961 MARY PITSEOLAK.' Stamped with the names of the artist and printmaker in Inuit syllabics in monogram form with the Cape Dorset stylized igloo at the top right-hand side of the image.

Print depicting an animal with a bird-like head and beak and a three-tiered projection on top of its head. There are two birds on the animals back, the smaller bird is nearest to the creature's head. Below the print is written, "Birds on a Beast Dorset 1970 Stone Cut 32/50 Pitseolak." Stamped with the names of the artist and printmaker in Inuit syllabics in monogram form with the Cape Dorset stylized red igloo in the upper left-hand corner. The Canadian Eskimo Arts Council blind embossed stamp is in the lower right-hand corner.

Print depicting one large and three small birds in flight. The top left-hand bird holds three leaves in its beak, and two others hold one leaf each in their beaks. Below image is written, "30/50 Birds of Summer Pitseolak 1964." The Canadian Eskimo Arts Council stamp of approval is blind embossed in the lower right-hand corner.

Print depicting (from top to bottom) a serpent, a humanoid head, two walrus heads, two animal heads, two more animal heads with extended tongues, two human heads, left one smiling right one grimacing, with a white walrus head between them, and two arms or legs extending outwards. In the centre is a naked figure kneeling. Below the print is written, "Eve and the Serpent Dorset '68 Stone Cut 12/50 Pitseolak." Stamped with the names of the artist and printmaker in Inuit syllabics in monogram form with the Cape Dorset stylized red igloo in the top right-hand corner. The Canadian Eskimo Arts Council stamp of approval blind embossed in bottom right corner.

Print of a red and blue two-headed bird. A mask is in the centre of body of the birds with two 'beaded' lines extending from the bird eyes to the top of the mask. The top of the birds heads are 'beaded' and so are the facial features of the mask. Stamped with names of artist and printmaker in Inuit syllabics in monogram form with Baker Lake bow and arrow in lower corner. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'Beaded face A/P III/V 1973 Oonark, Ukpagaq'. The print is on vertically rectangular white paper.

Blue central circle with yellow and red eyes, surrounded by yellow, orange, and yellow circles from which radiate eight blue spokes with rounded ends. The background is yellow. Oonark stamped with names of artist and printmaker in Inuit syllabics, with Baker Lake bow and arrow in lower right corner. Canadian Eskimo Arts Council stamp of approval in lower right corner. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'The moon 44/50 1976 Wm. Ukpatiku'. In the lower right corner, there is a circular embossing. The print is on horizontally rectangular white paper.

Pencil rubbing of a raven design for a bracelet. Raven is facing right from centre, the wing is at the right and the tail is at the left. There are inscriptions above and below image.

Three pencil drawings on white paper glued to a vertically rectangular, black cardboard piece and covered with clear plastic. Top drawing or tracing is a bilaterally symmetrical bird head with three-feathered wings to the sides, a three-feathered tail at the top, and three-clawed feet below on both sides. Middle drawing is a frontal bird with a long beak at the centre, three feathered wings that are folded into the body, and three-clawed feet pointing inward with a pencil line border around the image. 'RAVEN by Clarence' is written below. The bottom drawing is of a kneeling woman with arms out to the sides, u-shaped breasts, and decorations on the knees and the face that include eye shapes on the former and crescent shapes on the latter. Outlined just like the second drawing with "Tsonoqua' written below.

Right facing figure on cut out white-brown paper in orange felt pen and paint over pencil line drawing. Face at the top with a triangular appendage at the top, a u-shaped appendage to the left, and a large nose ? to the right. Whale-like face at the centre with various shapes to the centre. Smaller face at the bottom with a wing-like appendage behind. Pencil inscription across the bottom reads 'Norman Bell May 29-69'. Glued to blue, then white cardboard. The drawing is vertically rectangular. Covered with clear plastic.

Profile whale facing to the right with three rows of black and red dots extending from the spout. A series of green and black split u's around the top and the back of the head; green and black eye circular eye in a tapering oval with a black eyebrow. Mouth has white teeth, then yellow and black u forms, then red and black split u's. Black u forms on the body and a black split u on the dorsal fin with green and black dots on the belly. Red and green shape by the spout and a green circle with red semi-circles on the tail. In green felt pen, at the top left: 'Robert King'; in the bottom left: 'KILLER WHALE'. The drawing is on a horizontally rectangular, white paper piece that is glued to green card stock covered with clear plastic.