The rectangular stencil has a cut design of two stylized flowers with six outer petals and two stylized flower buds surrounded by scrollwork pattern. A register point is located in each quadrant. There is a fan-shaped cutout in one corner. There are traces of Japanese script on the back.

The rectangular stencil has a cut design with three large peonies surrounded by a scroll pattern. Register points are located along the edges of design.

The rectangular stencil has an overall cut design of chrysanthemum clusters and leaves in water pattern. Register points are located along the edges of the design.

The rectangular stencil has a cut design of three chrysanthemums surrounded by a scroll pattern. Register points are located along the edges of the design. There is a fan-shaped cutout in one corner. There are traces of Japanese script on the back.

Symmetrical design is predominantly black with red detail. All images are contained in a basically rounded rectangle. There is a head at the top centre protruding from the bottom, a horizontally elongated frontal face with a protruding tongue and a salmon-trout head eye motif, and a small frontal face with three split u's above up to the ovoid with a nearly solid inner ovoid. Frontal face at the top has a series of six split u's along the top of the head with a triangle shape below the chin. Two profile faces are on either side with a red curled s-shape above the teeth row and having the tail come to a point and the forelimb go to the centre. Pencil inscription across the bottom reads '207/225 Raven travelling with Sculpin Dempsey Bob '79'. There are three embossed marks along the bottom edge, from the right: 'The Gallery Collection', a circle with a vertical line, and a discontinuous horizontal line. The print is on a vertically rectangular, near white paper piece with a deckle edge top and bottom.

Silkscreen print. Head and upper wings of stylized naturalistic bird emerging from an off-centred blue diamond. Slightly bent white head outlined in black, eye area and portions of beak are highlighted in black; beak placed against throat; u-like shaped black wings are outlined in white, wing on right partially obscures head, top of wing on left held away from head, also tip partially obscures beak. At lower side on left of diamond "through the smoke hole"; at lower side on right, "PJanze 81 136/225."

Silkscreen print of octagonal drum with perimeter design of eight segmented faces; black lines define segments and interior design. Interior segment design: u form above two ovoid eyes with narrow rectangular pupils in extended pointed eyelid lines; downturned mouth-like form below eyeovoids; t form and circle at top and base of segment lines. Three interior bands of various sizes emphasize octagonal drum shape. Below image from side on left: 71/222 Gambler drum J. David -80. Print is framed, behind glass.

Profile of a black raven facing right, head placed at slight downward angle to body. Head has an ovoid pupil in extended pointed eyelid lines; short open beak with red split u next to eye area; back part of lower mandible rests on body ovoid, which has an interior line with two equidistant pointed extensions; at side on right bent leg with claw encompassing partial human face; wing at side on left has interior ovoid and u forms; leg partially obscured by wing; two tail feathers with interior u forms. Pencil inscription below wing reads '151/156' and below claw reads 'N. Tait Sept. 77.' Decal edge at side on right. The print is on vertically rectangular, beige paper.

Circular, bilaterally symmetrical, red and black stylized image including a frontal face in a black ovoid at the centre. Bottom half of face is detailed in red with black ovoid eyes outlined bya tapering oval. Red hands below face with circular palms, four fingers, and with the thumbs to the centre. Outer edge of circle has a black ovoid with a split ovoid at the centre top on either side followed by a wing-like series of black u forms with various red details to the bottom centre. Pencil inscription across the bottom edge 'A/P IX/XX 10/1/77 MESSENGER SPIRIT Roy Henry Vickers'. The print is on a relatively square, light white-brown paper stock.

The rectangular stencil has a cut design with a spray of irises. Register points are located along the edges of the design. Two notches are located on the lower edge of the stencil. Japanese script is located in the lower right corner of stencil.