Profile arched blackfish with the head on the left side. Has red designs on the snout and the cheek. An open black mouth with upper and lower teeth and a red tongue. Reclining female figure in the centre of the fish has a frontal head with a lower lip labret and a profile body containing an embryo. Base of the dorsal fin has an ovoid with a frontal human face wearing a segmented high crowned hat and a four fingered hand at the top of the fin. At the base of the pectoral fin, there is a diagonal ovoid with a frontal face. At the base of the tail fin, there is an ovoid with a frontal human face. Black and red designs on the lower portion of the body. Artist's initials are below the tail fin on ther right. Pencil inscription across the bottom edge reads '45/195 22/2/78 BLACKFISH Roy Henry Vickers'. The print is on a vertically rectangular, light brown paper piece.

Red profile curvilinear sitting eagle faces side on right. Head: pupils in extended pointed eyelid lines within ovoid eye area; u form at left has interior u forms and long tapering extension from underside joining to body; short downward curved open beak. Body: ovoid has partial profile face; hand with palm outward facing at side on right, ovoid and u forms on palm; u forms below main ovoid has interior u design; bent leg with claw from base of u form. Below image from side on left: "Eagle Spirit 143/199 N. Tait Dec.'77."

The rectangular stencil has an overall komon cut design of an "x" and a dash motif repeated in rows. Register points are located along the edges of the design.

The dark brown rectangular stencil has an overall komon cut design of small curvilinear motifs in diagonal lines alternating with lines of groups of three dots. Two joined holes are punched in the long border edge. Register points are located along the edges of the design.

The dark brown rectangular stencil has an overall komon cut design of t-shape motifs arranged in columns. The register points are located along the edges of the design.

The rectangular stencil has an overall komon cut design of a tiny bird in flight motif, repeated in rows. There are register points located along the edges of of the design. On the back is a grid marked out in black ink with Japanese script.

The rectangular stencil has a cut design of birds in flight on a dotted background. Register points are located along the edges of the design.

The rectangular stencil has an overall komon cut design of tiny dots and dashes. Register points are located along the edges of the design.

Top pencil rubbing is of a frog design. The image is bilaterally symmetrical, with the head at the centre and the appendages on both sides. The bottom image is of an eagle design. There are inscriptions below each image.

Hooded human upper torso surrounded by three long-eared owls with textured feathers; two seagulls; six green and two brown leaf shapes. Elongated curvilinear cloud-like form. In lower corner on right stamped name of printmaker in Inuit syllabics, Cape Dorset stylized 'red igloo' seal, name of artist in Inuit syllabics. Below image from side on left: "Owls and foliage stonecut 37/50 Dorset 1977 Kenojuak." Canadian Eskimo Arts Council's blind embossed stamp in lower corner on right.