The black rectangular stencil has a cut design of two triple blossomed chrysanthemum motifs; cut off sections on sides suggest repeat pattern both ways. Register points are located along the edges of the design. Fan shaped hole punched out on one side.

The dark rectangular stencil has a cut design of two chrysanthemums and two peonies. There are register points along the edge of the design.

The light brown rectangular stencil has a cut design of two paulownias and two genji-ko intertwined with a scroll pattern. A register point is located in each quadrant. Faint Japanese characters are located on both sides of the stencil.

The rectangular stencil has a cut design of two chrysanthemums with leaves and scroll pattern. There are register points along the edges of the design. Japanese script is written on the back of the stencil.

The rectangular light brown stencil has a cut design of three paulownia tree motifs with interconnecting scroll pattern. One register point is located in each quadrant.

The rectangular stencil has a cut design of three peonies with leaves, surrounded by a scroll pattern. Register points are located along edge of the design. There is a fan-shaped cutout in one corner.

The dark rectangular stencil has a cut design of two phoenix and bunches of paulownia leaves surrounded by a scroll pattern. Register points are located along the edges of the design. There is a fan-shaped cutout in one corner. There are traces of Japanese script on the back.

The rectangular stencil has a cut design of five stylized chrysanthemums surrounded by a scroll pattern. Register points are located along the edge of the design. There is a fan shaped hole in one corner. There are traces of Japanese script and a grid on the back.

Large rectangular abstract painting. Design on a mottled green ground consists of two vertical objects with tops leaning slightly to right; object on left has multi-coloured top with irregular shaped projections, five square and rectangular projections towards base; top of object on right has a curved blue horizontal intersected vertically by an irregularly shaped pointed projection, below is a semblance of a beaked figure; at base, image of an open transformation mask, two of its extensions, one beak-like and the other rounded, are imposed at different angles over the vertical object on left, small rounded extension with a possible 'eye' form at side on right, fourth extension comes towards viewer at base; bird-like image at centre of mask. Signed in lower corner on right: J. Shadbolt '83 '86. Simple silver toned metal frame, black wood strip between frame and edges of painted surface, frame extends slightly beyond edges of painting.

Man in parka stands between 2 large birds, blue ground. Name of printmaker in Inuit syllabics and Cape Dorset stylized 'red igloo' seal at upper side on right, name of artist in Inuit syllabics in lower corner on right. Below image in pencil from side on left: "Hunting with stones lithograph 33/50 Dorset 1979 Kingmeata." Canadian Eskimo Arts Council's and Cape Dorset's blind embossed stamps in lower corner on right.