Rectangular shaped manuscript leaf. Central section painted with four figures on horses holding mallets in one hand and a ball on the ground. The background is a stylized flowers and grass, with landscape and sky at the top. Script at the top and bottom of the image, and covering the reverse.

Rectangular parchment music sheet. Both sides have Latin inscription mainly in black with some red; three decorated initials, 'd' in blue, 'h' and 'm' in red on scrolled rectangular background of reverse colour (d on red, h and m on blue). Square notes are black; musical lines are red.

Scroll featuring a picture of four grey mice and three white turnips with green leaves; image is mounted on light brown, floral design silk brocade with paper backing. Narrow strips of contrasting floral design silk are inserted at the top and bottom of the image. Three black calligraphy characters and a red seal mark the lower left hand area. "Suldong Dang" and "Setsudo Do" are inscribed on the back in black ink.

Silk-screened red and black shark design. The shark is in profile and facing to the left side. The black circle in circle eye has red u forms in front on the black snout. The open mouth shows teeth and front fangs with a red tongue. The body has a red winged figure inside with a black ovoid eye. The dorsal fin has a red circle in a cicle with a split u above that has diagonal lines within. There is a cross in the centre ovoid on the tail fluke. Surface of water is a black notched line. Pencil inscription across the bottom edge reads '109/195 19/1/76 - SHARK - Roy H. Vickers TSIMSIAN TRIBE KITKATLA B.C.'. The print is on a horizontally rectangular, off-white-coloured paper piece.

Head of christ depicted in Northwest Coast style using s-shapes, u forms, split u's, and ovoids for the eyes, hair, and the mouth. The face and hair are divided vertically, one half red on the left side and one half black on the right side with negative spaces left grey. The red side has three tears from the eye down the cheek. The crown of thorns is only on the red side. The eye on the black side is solid in the centre while the eye on the red side is outlined with negative space. Pencil inscription across the bottom edge reads '55/100 II TIMONTHY 2: 11,12 Roy H. Vickers Tsimsian Tribe KitKatla B.C. 9/4/76.'. The print is on a vertically rectangular, grey paper piece.

Painting depicting people on horseback travelling along a stilted boardwalk road through steep mountains with trees to a village near the top of the painting. The painting is mounted on a light yellow silk background with a wooden support at the top and a wooden roller with a black laquered handle (the other handle is missing). Inscription, date and signature of the artist, Hou Mei, of the Qing Dynasty. Attached at the top is a silk tie for tying and a cord for hanging.

Painting depicting several small black and brown birds amongst bamboo, a rock outcropping, and other plants on blue-grey moss or grass, all on a beige background with brocade backing. Rolled around a cylinder with ceramic finials glazed in brown, white, green, and yellow with an incised cloud design. There is no signature, but there are many red seals at the corners of the painting and on the mounting, as well as a very large seal at the top centre of the painting.

Painting depicting a standing buck with antlers and a doe lying down beside with rock outcrops and tree limbs, all on a dark buff background. Rosewood (?) handles and cylindrical roller. Signature and two seals of the artist, dates unknown, on the left-hand side of the image. Attached at the top is a silk tie for tying and a cord for hanging.

Painting depicting abstracted rock outcrops of blue and green, a green-limbed tree with orange leaves, and a woman standing on an outcrop looking over water and the sunset. All on a buff-coloured background. Rolled on a cylinder with light blue glazed ceramic finials.

Pink peonies and limb of plum blossoms; two pheasants stand on the ground and a rock outcrop. All on a buff background. The mount is badly damaged.