Ink and pencil crayon drawing with a pencil border along all edges; done on off-white rectangular paper, in horizontal orientation. Design consists of a grandmother's hand, extending from the top right corner, holding an ulu; done in dark brown. Behind the ulu is a large lollipop, with the stick pointed towards the bottom right corner of the drawing; candy has groupings of blue, yellow, green, and red stripes throughout. West Baffin Eskimo Cooperative logo embossed in bottom right corner, within pencil border. Title(?) and signature(?) written along bottom edge of drawing, outside of border, in dark brown ink. Number inscriptions and measurements written in pencil, along bottom edge on back.

Pencil and crayon drawing of two Inuit pairs, the women wearing amautis and the men in parkas. The two figures on the left side are wearing brown clothing while the two figures on the right side slightly above are wearing black clothing. All figures are walking left. Hair, parkas, pants, and mittens have been coloured in with crayon. Syllabics In pencil, in the lower left corner. The drawing is on vertically rectangular, cream-coloured paper which has been torn from a large spiral notebook.

Vertical painting of a stylized anthropomorphic figure with the head pointed up, toward the top of the canvas. The figure has orange dots on either side and is decorated with orange and white lines, circles, zigzags, semicircles, and dots. To the right of the figure is a long line that ends in a point facing downward, toward the bottom of the cloth. This line has smaller lines extending from the top left side toward the face of the figure. The space around the bottom of the figure is filled with repeating brown lines, mostly on the left side. The left side of these lines contains concentric orange and white circles. The canvas is stretched on a wooden stretcher and held in place by nails. Dark red-brown paint marks are on the back; ink label on the lower right side of the stretcher.

Carving of woman with a qulliq (soapstone lamp). Woman is lying on her stomach with arms outstretched holding the qulliq in her mittens. Her torso ends in hind flippers(?). Signed in syllabics. Sticker with '10'.

Small untitled print from engraving. Image of man hunting from kayak. The man is paddling towards the closest and largest seal, which has been harpooned with a float behind it. There are five more seals further off in the distance by the prow of the kayak. The work is signed and numbered (46/50) in pencil.

Untitled print from engraving. Image shows a group of animals in profile, all facing right. At the top is a small dog behind a large dog. Below the dogs are a large seal, then a walrus, with another young walrus below it. The seal and walruses are depicted with mottled coats. Bottom left of print has '38/50' in pencil, with artist signature.

Vertical painting on animal hide depicting four human figures. The central figure is wearing a large crown on their head and is holding a smaller figure who has a circle (halo) behind their head, which is the same colour as the crown. The figure being held is carrying a red book-like object with a cross on it in their left hand, while their other hand is pointed at the crowned figure. Two small, winged angel-like figures are positioned on either side of the crowned and haloed figures. These angel-like figures appear to emerge from a brown oblong oval shape with a black outline and yellow and white details, which is positioned behind the crowned and haloed figures. There is red Ethiopian text on the viewer's right side, below the brown shape and next to the crowned and haloed figures. There is a small numbered label written in ink on the lower right corner of the front of the skin.

Vertical painting on cloth depicting 29 human figures on or near a body of water. Twenty of the figures are on the water in six boats. In the foreground (bottom of the painting), two figures on land are holding large pestles above a large mortar in front two huts. Next to these figures, on the viewer's right side, are three figures on land carrying items on their backs. In the background (top of the painting) on the viewer's right side, is a large building on land with a cross on it and three figures standing in front of it. A fourth, smaller figure is being carried on the back of the figure on the viewer's far right side. There is Ethiopian text to the viewer's right side of all six boats, as well as above the three groups of figures on land. There is additional Ethiopian text at the top of the painting. The cloth itself has uneven edges.

Painting on cloth depicting a stylized anthropomorphic figure. The figure's head is pointed towards the viewer's left side. The figure's right hand is raised in the same direction as their head. Concentric curved purple lines outline and emerge from the figure's head and raised hand. The figure's left arm and right side of their body are outlined with purple oblong drop shapes and red (and green on the left arm) dots. The majority of the figure's body is outlined with small green, red, and purple dots. In the centre of the figure's body are three sets of concentric white, brown, red, and green circles. The cloth itself has uneven edges.