A watercolour painting which depicts a spiritual being with an elephant at its feet. The being has a white head and red body. It is wearing a yellow skirt that comes to an end just below the knee. The bottom of the skirt has a thick border made up of white, red, yellow and blue horizontal stripes. The main body of the skirt is covered in thinner horizontal stripes, and consists of two pieces which come together in the front. Decorative bands encircle the being's biceps, wrists, and ankles. A large piece of fabric is draped over the being's shoulder, covering most of its chest and arm. The fabric is decorated with a repeating pattern made out of squares. Each square contains part of an eye and half of a grinning, fanged mouth. The being has large, round eyes, red lips, and a grinning fanged mouth. It is wearing a headpiece with round decorations in the centre and on both sides. Two large discs protrude from the sides of its head. The elephant at the being's feet is kneeling, and its trunk is wrapped around the being's ankle. It has short tusks, a long tail, and is wearing a flat, white headpiece. The painting's background is blue, and a rectangular black border surrounds the image. Blue and white oblong rings radiate from the being's head and shoulders.

A watercolour painting which depicts two spiritual beings facing away from each other. The beings both have yellow skin and are wearing wide pants that end just above the knee. The pants are decorated with multicoloured stripes, and curl outward at the hip. An inverted triangular piece hangs down from each of their waists. A blue sash is draped diagonally across each of their chests, in opposite directions. The beings both have dark blue hair that curls upwards from their shoulders. Their earlobes are stretched, and extend almost to their chins. Two of the beings' arms are interlocked at the elbow. The other is raised up by their head. Two of the beings' legs are lifted up and forward so that only the toe touches the ground. Their knees cross in the middle of the page. The background of the painting is red, and a rectangular, dark blue border surrounds the image. There is a rounded, unpainted section behind each of the beings' head and shoulders.

A watercolour painting which depicts a spiritual being with an animal head seated on a horse-like animal. The being's head is black, and its body is blue. It is wearing a brown skirt that ends below the knee and curls outward at the hip. The bottom of the skirt has a border made up of brown, blue, white, and black horizontal stripes. The main body of the skirt is covered in thinner horizontal stripes, and consists of two pieces which come together in the front. A piece of fabric hangs down from the waistband, which is decorated with a row of rectangular shapes and row or circular shapes. Adornments wrap around the being's chest, and decorative bands encircle its biceps, wrists, and ankles. The being's head is cow-like, with long ears and long, slightly curved horns. There is a darker stripe running down the centre of its face. The being's headpiece is made up of several black and white striped decorations which extend upwards. Similar decorations are draped across its shoulders, wrap around its arms, and protrude upwards from the centre of the skirt's waist to cover its stomach. Both of the being's arms are raised. One of its hands has sharp, yellow claws, and the other is holding a long, thin, and curved blade. One of the being's legs is bent underneath it, and rests on the head and shoulders of a horse-like animal. The other leg is stretched downwards toward the ground. The horse-like animal is light brown, with a long face, and a black mane and tail. Both the being and animal are suspended near the top of the page, as though floating. The painting's background is light green and orange, and a black rectangular border surrounds the image. There is a rounded, unpainted section behind the being's head and shoulders.

A watercolour painting which depicts a spiritual being with four arms and an animal-like head. The being has a black head and green body. It is wearing a blue skirt that ends just below the knee. The bottom of the skirt has a border made up of red, blue, yellow, and green horizontal stripes. The main body of the skirt is covered in thinner horizontal stripes, and consists of two pieces which come together in the front. A piece of fabric hangs down from the waistband, which is decorated with a repeating circular pattern. A red, striped sash is draped diagonally across the being's chest. Additional adornments wrap around its chest and neck, and decorative bands encircle its biceps, wrists, and legs. The being's head is elongated, and facing to the left. It has two eyes stacked vertically above an open mouth. Its lower jaw is filled with sharp teeth. The being has a pointed, red ear on the side of its head, and three white bumps on top. A long black tail extends behind the head and across its shoulder. One of the being's arms is holding an elephant head by the trunk. The other arms are holding a round, red and green object, a small, thin blade, and a slightly larger curved blade. There is an animal standing behind the being. The animal is green, with a large, round body, a long face, hooves, and whiskers. The painting's background is bright yellow, and a rectangular black border surrounds the image. There is a unpainted section behind the being's head and shoulders.

Painting on paper depicting a figure dancing with a Thunder Bird mask and costume; two large Thunder Bird masks painted to right of dancer. Figure's mask has a thick ridge on top with two horns protruding from back; mask is open-mouthed and has white teeth. Cedar bark fringe extending from back edge. Figure is wearing a long cape consisting of cedar bark and wood panels painted to look like feathers; similar feather-like leggings wrapped around calves of dancer. First mask, in top right, is facing left and has cedar bark braid and fringe along bottom edge; ridge with curved horn along top. Horn has an animal motif across side. Second mask, in bottom right, is right facing and has cedar bark fringe all along top, back and bottom sides of mask. Skull-like protrusion on top centre of ridge on head. All masks and costume elements are decorated with formline designs; done in black, white, green, gold, blue, red, and orange. All cedar bark is painted gold, orange, and black. Title, artist signature and edition number, No. 9, written in pen along bottom edge of painting. Additional numbers written in corners on front and back.

Rectangular piece of barkcloth with abstract linear and geometric designs painted across surface; done in black. Top half of painting is divided into two vertical sections; both have long columns covering their entire widths. Columns in left section are decorated with zigzags, "X"'s, diamonds, and triangles. Columns in right sections are decorated with groupings of diagonal lines. Bottom half of painting is decorated with bands of diamonds; negative space between diamonds and band edges are decorated with horizontal and diagonal lines. Back of barkcloth is undecorated.

Painting on paper depicting a woman with a cradle puppet. Masked woman is standing behind large cradle and is reaching into it, with her arms stretched out towards the puppet. Smaller puppet is sitting up with its arms bent and reaching for woman; both figures have unbound brown hair. Two long strings connected to puppet's back and are threaded through headboard of cradle, extending onto right side of painting. Cradle has high head and footboards; headboard is more upright, footboard steeply tilted backwards. Formline designs across figures and cradle; done in black, gold, teal, brown, maroon, and lime green. Title and artist signature written in pen along bottom edge of painting. Additional numbers written in corners on front and back.

A watercolour painting which depicts a spiritual being seated on a horned, four-legged animal. The being's skin is white, and it is wearing a brown skirt that ends just below the knee and curls outward at the hip. The bottom of the skirt has a border made up of white, yellow, and brown horizontal stripes. The main body of the skirt is covered in thinner horizontal stripes, and consists of two pieces which come together in the front. A piece of fabric hangs down from the skirt's waistband, which is decorated with a repeating circular pattern. A blue, dotted sash is draped diagonally across the being's chest. Additional adornments are wrapped around its chest and neck, and decorative bands encircle its biceps, wrists, and ankles. The being has narrow eyes, a small mouth, and stretched earlobes which extend to its chin. Decorations extend from the bottom of its nose. The being's arms are raised by its sides, and one of them is holding an object with a long, thin handle and a rounded, tapered end comprised of multiple strands that hang down to the being's wrist. One of the being's legs is bent underneath it, and rests on the head and back of a four-legged animal. The animal is light orange, with a humped back, short, pointed horns, and long face, legs, and tail. One of its back legs is lifted and bent. The painting's background is bright yellow, and a rectangular black border surrounds the image. Orange and white rings radiate from behind the being's head and shoulders.

Drawing of nine human figures circling a yellow drum in the centre. All have their heads pointed towards the drum, their bodies stretched out towards the edges of the paper. Seven of them are forward facing, and wearing snowsuits and boots. Colours of suits and boots are dark yellow, dark green, red, turquoise and dark brown. All have oval-shaped eyes, straight brows, slits for nostrils and open oval-shaped mouths. Two figures, towards the right side of the drawing, are done in profile with dark green parkas and matching pants and boots. Their faces are coloured yellow and both have bundles on their backs. A small tenth figure crouches beside the drum, hitting it with a drumstick. The figure is coloured black, with red and green undertones, has a pointed face and red hand. Syllabics written in the bottom right corner in turquoise. Pencil inscription on back, in bottom right corner.

Stonecut and stencil print of a small family with the father standing in the centre, mother to the left and child to the right. Mother and father are forward facing and child is shown in profile, reaching towards the father. All are wearing white parkas, light brown mittens, and blue-green fur pants. The father and child have matching fur boots, the mother has dark blue boots. The mother’s parka has a long tail, ties in the front and multiple black bands along the bottom edge and cuffs. The father’s parka has a tassel-like decoration on top of the hood, and bands of black and red-orange around the bottom edge and cuffs. The child’s parka has black band decorations. Along the bottom edge of the print the title, technique, edition number, place made, date and artist signature are written in pencil. Signatures, in syllabics, with Cape Dorset Co-operative symbol stamped in top right corner. Canadian Eskimo Arts Council blind-embossed stamp in bottom right corner.