Ink drawing on a folded paper. The drawing depicts a two-headed Hindu deity seated on a lion(?) with two half-human half-bull(?) figures below, each body facing outwards, and both heads turn inwards. Beneath appear to be two small bull heads? The paper is folded in half, and then a small portion is folded over.

Pricked pattern design following a drawing of Ganesh. The paper is semi-opaque. The elephant deity is depicted in profile, wearing a crown, holding things in three of his four hands, and sits with his feet together. He sits on a low platform with four feet. In the upper right corner is a small mouse.

Stamp design printed in red of an image of Ganesh, on paper. The elephant deity is depicted in profile, wearing a crown, holding things in three of his four hands, and sits with his feet together on a low platform with four feet. In the upper right corner is a small mouse.

Ink drawings on a folded paper. The main drawing is of a Hindu deity, with head shown in profile. Deity appears to be seated on a sing beneath a tree, with a peacock(?) perched to the right. The deity has four arms, and holds things in three of their hands. Their legs are bowed, with their feet held together beneath them. On the back, a small portrait and another sketch of a deity's head in black ink, and a sketch of a place in blue ink. The paper is folded in half, and then a small portion is folded over.

Stamp design, in dark blue, of Ganesh, printed on off-white paper. The elephant deity is depicted in profile, wearing a crown, holding things in three of his four hands, and sits with his feet together. He sits on a low platform with four feet. In the upper right corner is a small mouse. The paper has uneven edges.

Stamp design printed in dark brown of an image of Ganesh, on paper. The elephant deity is depicted in profile, wearing a crown, holding things in three of his four hands, and sits with his feet together on a low platform with four feet. In the upper right corner is a small mouse.

Lithograph print on rectangular, off-white paper. Close up design of avataq, sealskin float, in portrait orientation. Float done in light yellow. Front flippers have jagged black line across them, depicting fur, and claws. Long tie, done in light yellow, looped around back flippers. Tie disappears under body and appears again on right side of float, curled in a circle. Majority of body covered in black abstract, curved triangle designs. Bright red syllabics overtop of embossed bird-like figure, in bottom right corner. Syllabics handwritten in pencil overtop of embossed symbol of the West Baffin Eskimo Co-Operative, in bottom left corner. Beneath avataq design is the title, print type, edition number, 10/50, year and artist signature. All handwritten in pencil. “08-2” handwritten in pencil on back of print, in bottom left corner. Faint imprint of words, and an infinity symbol, on back of print, in bottom right corner.

Exhibited on female mannequin at Chicago World's Fair of 1893. See National Anthropological Archives Manuscript # 7217, entry on Figure No. 8, where it is listed (and exhibited) as same number/forming a set with # E1701 parka.From card for ET1611 (written before it was known that this was part of catalog number E1701): "Brown deerskin pants, low-slung, with wide cuffs of white caribou fur. Bottom of leg edged with narrow brown and white strips, and fur fringe. Tassels of fur running lengthwise down front of each leg. Tag reading "Chicago #8, 1701-2967". Writing on inside, partially worn off, indicating this is part of MacFarlane collection. Loan [with temporary catalog number ET1611]: Crossroads Sep 22 1988 - returned from loan 6-25-91. Illus.: Crossroads of Continents catalogue; Fig. 41, p. 42."Formerly tracked with temporary number ET1611, because the correct catalog number was unknown at the time. A tag in the trousers says "Chicago #8, 1701-2967", which seems correct. Museum catalog number 1701 (or E1701) was field number 2967 (the ledger book confirms this) which was a woman's parka and pants exhibited together as a set at the Chicago World's Fair (according to National Anthropological Archives Manuscript # 7217, entry on Figure No. 8). Catalog number 1701 has long been missing the pants -- possibly since the ledger entry was written, since it makes no mention of them and has a count of 1 (in other words, the pants were missing or overlooked during cataloging). The existence of pants is mentioned in the notes on the catalog card, but only the parka was found during the 1975 inventory and 1980s move to MSC. Meanwhile, this pair of pants was found, but there was confusion about which number it belonged to (1701 already being accounted for with the parka) and so it was temporarily tracked as ET1611. As of now, it seems pretty certain that this is part of catalog number 1701, and so it is being tracked as # E1701-1.

Identified as a graver based on resemblance to other gravers in the MacFarlane collection. See Inuvialuit Pitqusiit Inuuniarutait: Inuvialuit Living History, The MacFarlane Collection website, by the Inuvialuit Cultural Resource Centre (ICRC), Inuvik, N.W.T., Canada (website credits here http://www.inuvialuitlivinghistory.ca/posts/12 ), which has general information on gravers here: http://www.inuvialuitlivinghistory.ca/item_types/27: Gravers with iron tips held in bone and antler shafts were used for engraving designs on ivory, bone antler and wood.

Rectangular box; no top/lid present. Card indicates this is Inuit made.E7830 is listed, but not described or analyzed, in Inuvialuit Pitqusiit Inuuniarutait: Inuvialuit Living History, The MacFarlane Collection website, by the Inuvialuit Cultural Resource Centre (ICRC), Inuvik, N.W.T., Canada (website credits here http://www.inuvialuitlivinghistory.ca/posts/12 ), entry on this artifact http://www.inuvialuitlivinghistory.ca/items/136 , retrieved 2-11-2020. General information on boxes available here: http://www.inuvialuitlivinghistory.ca/item_types/12: The MacFarlane collection contains a variety of wooden boxes. Boxes carved from single pieces of wood, and boxes with sides made from bent pieces of wood with bottoms pegged to them, are traditional Inuvialuit forms that were used for storing tools and other objects. Boxes with separate pieces for each side, bottom and top identified in the Smithsonian Institution's artifact catalogue as 'Packing Box Made by Esquimaux' may have been commissioned by MacFarlane for packing artifacts that were sent to the Smithsonian.