Silkscreen print of bird and sun on burlap cloth. Print shows a frontal view of a bird head overtop of a sun, done in red and black ink. Artist name in bottom right corner. Cloth is adhered to fibreboard and nailed to a stained, wooden frame. Printed Coastal Arts Design label with artist biography adhered to back, in top right corner. Coastal Arts Design logo and print information stamped on back, in bottom left corner. (Hanging hardware on back.)

Silkscreen print of raven on burlap cloth. Print is a profile view of a raven, done in red and black ink. Artist name in bottom left corner. Cloth is adhered to fibreboard and nailed to a stained, wooden frame. Piece of printed paper adhered to back, in bottom left corner. Coastal Arts Design logo and print information stamped on back, in bottom right corner. (Hanging hardware on back.)

Rectangular painting of two figures engaged in a head pull game. Two figures face one another and have a brown band wrapped around both of their heads. The figure on the left is lying on their stomach, with both arms out to support themselves. The figure on the right is sitting on their knees, with both arms out to support themselves. Both figures are wearing brown fur-lined, hooded coats, brown pants and boots. The figure on the right is wearing light brown and the figure on the left is wearing dark brown. Both figures are on snowy ground, painted with shades of pink, yellow, dark blue, light blue and dark green. Behind each of them are piles of dark and light brown rocks, with snow shaded yellow, purple and blue. In the background the sun is setting against a dark blue sky, with streaks of yellow, red and red-brown through it. The artist signature and year, "'09", are printed in pen in the bottom right corner. Next to the signature a small sun is sketched in ink.

Rectangular pastel drawing of two men engaged in the mouth pull game. The men are in the foreground, along the bottom edge of the paper. Both are coloured a light pink, have black hair and their eyes are closed. The man on the left side has short hair and the man on the right has long hair. Both are visible from the shoulders up and their shoulders are bare. The man on the right is facing the right side of the paper and the man on the left is facing the left side. The man on the right has his right arm wrapped around the shoulders of the man on the left, with one finger in his mouth. The man on the left is doing the same with his left arm and has a finger in the man on the right side's mouth. Above, and behind, the men is an upside down black-outlined semi-circle. The interior of it is coloured in light yellow and dark orange. Above the semi-circle is a black and white inukshuk with shades of dark brown. The background around the inukshuk is light blue and fades to a grey-blue. Above the inukshuk there are two harpoons with yellow blades and dark brown handles. The harpoons face inwards towards a dark brown, oval-shaped tool. The tool has a hole in the centre and two holes on the top and bottom with white strings(?) coming out of them. In the bottom centre of the print, in the space between the two men, the artist signature is written in pencil.

Goldtone (orotone) photographic print on glass in original frame. Image shows a cloudy sky and grassy plain with hills in the background, towards the sides of the print. In the middle ground, there are three figures on horseback. In the foreground, towards the right side of the print, there is a small oval-shaped pond. The artist signature is in the bottom right corner. The wide frame is painted dark brown and gold, with a pattern. The corners of the frame have dark gold batwing designs done in high relief. The frame's outer rim curves downwards and then upward towards the inner rim, which edges the photographic print. The back of the frame is covered in brown paper. On the back, in the top left corner, the photograph title is printed on plain paper. The artist’s studio mark is attached to the top right corner. There is hanging hardware close to the top.

Large, unframed painting on a rectangular piece of handmade "washi" paper. Painting depicts a craterous landscape of oil barrels with groups of red pipelines and rivers of black snaking through. Bursts of yellow extend from some of the barrels while others have drawings of fish, humanoid faces or other creatures on the lid. The background is a solid black sky. Signed in the bottom right corner.

Sketches of bentwood bowl-shaped bracelet in pen, pencil and pencil crayon. Drawing is on sketch pad paper. Profile, overhead and bottom views of bracelet drawn in pen in the top right corner. Top left corner has a frontal 3/4 angle view of a bentwood bowl with curved sides and ends. Human face carved onto front and profile of a bird carved onto the side; coloured in bright orange and yellow, with pencil and pen. Pencil inscription below. Underneath, along the left side of the paper, there are overhead sketches of the bracelet done in pencil. In the middle of the page is a coloured, frontal 3/4 angle view of the bracelet . Bracelet has the same carved face on the front and bird profile on the side as the sketched bentwood bowl. Bracelet is coloured in bright orange and shaded with red, bright yellow, dark green and pen. Pencil marking points to the back left corner of sketched bracelet to show where the hinge would go. Along right side of page, next to the bracelet drawing, there are indecipherable numbers written in pencil. Below the numbers, in the bottom right corner, there is a rear 3/4 angle view of the bracelet done in pencil. Another pencil inscription above the rear angle of the bracelet, with indecipherable initials. Various pencil smudges and lines across the paper.

Stencil set showing stock of maize. Stencils installed as a set of nine: three rectangles high, three layers deep. Each stencil layer was aerosol painted with a different colours - bright green, dark purple, and black.

Stencil set showing a person crouched down, wearing a protective suit with respirator, and holding a large syringe. Stencils installed as a set of six: two rectangles high, three layers deep. Each stencil layer was aerosol painted with a different colour - light taupe, dark taupe, and black.