Painting on paper. On a light yellow background stand two figures facing each other in fighting pose, slightly crouched with hands raised to the front. Each wears a one piece decorated garment, as well as a large headdress and long cascading hair. The right headdress has a bird at top. Paper is corrugated along one edge.

Photograph printed on plexiglas, showing a large mural painted on a building in Kabul, Afghanistan. Image shows the walls of several buildings side by side along the street, and a man emerging from a door on the right. A cityscape appears above and behind. Painted on the wall is a mural of a stylized woman in a blue burka, facing right. Behind her are blue circular and floral motifs, and across her body are wavy lines of orange with a large grey disc between them. A black vertical lines runs through the image in the first third of the photograph.

Large photograph printed on plexiglas, showing a mural painted on a building in Kabul, Afghanistan. A smooth concrete wall fills the image, a shaft of light falling from top left to bottom right. A stylized painting of a woman in a blue burka is near centre, looking up at a black ball flying through the sky toward a collection of blue circular and floral motifs beside her. Cans of spray paint sit on the ground at bottom.

Small photograph printed on plexiglas, showing a mural painted on a building. A concrete staircase is at bottom left, against a grey decaying concrete wall with a brick under-layer showing through in several places. On the wall is painted a woman appearing to sit on the staircase, wearing a blue burka. On the right is a verse in Afghan Persian, using Perso-Arabic script. The artist’s initials (SH) are painted in blue below. Cans of spray paint can be seen sitting on the steps.

Photograph printed on plexiglas, showing a large mural-like painting. Image shows two boys on the left against a backdrop of stairs and an alley, houses in the distance. On the right is a light coloured wall with a brown window at top and covered doorway below. The graffiti image is painted over the image of the wall, and shows a woman with closed eyes covering her mouth and forehead with her hands. Her hijab surrounds her face, lifting away from her head to the right and fluttering in front of her blue robe at bottom. There is Arabic text to the right of the figure. There is a curling motif in blue at the bottom.

Painting on paper. On a light yellow background stands a large bird facing front, wings outstretched and curving above its head. Bird looks to the right, with head crest extending behind. A face covers the torso, with ovoid eyes and a wide mouth showing bared teeth. Wings are decorated in bright colours. Paper is corrugated along one edge.

Print with image in black, red, grey and yellow on off-white rectangular paper. Design of mirror image of two faces and two sets of hands with faces in the palms. Large white circle in the middle outlined in yellow. Pencil inscription on the bottom reads: " 3/75 Hugging the World Robert Davidson 1988."

Silkscreen print with square blue design of four ravens, with red details and circular design in centre. Pencil inscription underneath the image reads: “11/80 / Seven Ravens / Robert Davidson ‘87.” (Goes with 3260/308.)

Black and red version of print, with light blue inside the thin lines, on off-white paper. Depicted are: a left-facing man at the far right of the image; a right-facing raven at the far left of the image; and a vertical central halibut with its head toward the top of the image. "An Episode in the Haida Raven Myth" and "a silver engraving by Bill Reid" are printed below the image.

Christmas card. Brown and orange silkscreen print, with light blue inside the thin lines, on off-white paper. Depicted are: a large bear filling the entire rectangular space and a small human-like figure at centre. At the bottom, "Haida Bear Mother and Cub" is printed below image. Printed inside the card, "Happy Christmas and Best Wishes for the New Year".