Drawing in pencil and ink on paper. Image is a pencil sketch, partially erased and covered with ink, of a totem pole that curves diagonally across the page, drawn in clean simple lines. The artist has written the name of each creature below it: Kun/Whale, Tsinn/Beaver, Gaalo/Cormorant, owl, Raven. Two boys in hats run across the page beneath it, one in ink who shouts at the retreating back of other, drawn in pencil.

Drawing on paper. Image is a light sketch in pencil of a human head, face, and neck, partially outlined in black ink. The expression drawn is quizzical, with raised brows and a partial smile. The beak of a cap over the forehead is inked, with the remaining parts of the hat in pencil only. Image is small and sits on the upper portion of the page.

Pencil drawing on paper. Image is a light sketch of a human standing and facing forward with one foot, one arm, wearing a large coat. Head is large, face is round with oversized features. Portions of the sketch have been erased particularly on face and around the hands.

Pencil and watercolour drawing on paper. On the left stands an owl with wide ears on top of his large head, small eyes, and a pointed yellow beak. Its small wings are spread; it is painted in shades of brown and light grey. Next to this image is a smaller one of an owl’s back, in similar colours. Below is a pencil sketch of a frightened owl, feet, wings and tongue extended in surprise.

Oil painting of a Tibetan man, on canvas. The man faces to the right, looking over his shoulder. He wears a fur lined hat, a blue earring, and a white collared shirt with a grey jacket or robe. The face is wrinkled, particularly around the eyes and cheeks. He is unsmiling. Illegible artist signature painted in red at the bottom left corner. The painting is in a gold wood frame, and lined at the back with brown paper.

Lace doily. Rectangular panel is made of light tan linen with some areas of embroidery in light grey. At centre sits a circle of dense, patterned netting with embroidery and cutwork at centre. Half circles surround the centre, each with embroidered flowers of different types. Border is openwork netting with scalloped edges.

Calligraphic work on paper. Work shows several lines of Japanese characters in various thicknesses and depths of colour, from light grey to black. A round red seal with the artist’s name sits near the bottom left corner.

Calligraphic work on paper with kanji characters 三日月 (mikazuki; crescent). Piece is rectangular, showing a thick black brush stroke on the left side in a rough crescent shape. Beside it near the centre is a lightly painted circle. Light linear brush strokes move off the page on the far right. Two square red seals with the artist’s name, mark the page, a small one on the bottom left corner, and a larger on the far right near centre. The paper is attached to a wood panel, painted black along the edges, unpainted on the back. Written on the back is 湯上の三日月パネル (A panel work of Mikazuki by Yugami).

Calligraphic work on paper with a kanji character 月 (tsuki; moon). Piece is rectangular, showing the grey imprint of a character smudged into black ink. Small areas of the white paper have been left un-inked. A red, round, signature seal with the artist’s name, sits on the bottom left. The paper is attached to a wood panel, painted black along edges, unpainted on the back. Written on the back are the artist signature and title in Japanese, 湯上久雄 「月」.

Calligraphic work of a kanji character, 蝶 (chō; butterfly) on thick, white, rectangular paper. The design is of runs, pools, and splatters of black ink, in various thicknesses and consistencies, creating an image in black and grey. Areas of the darkest black have a slight shine.