Washi sample mounted on white, labelled and folded paper with 3-pointed leaf above scrolled 'm' watermark. Sample is many small randomly scattered, sometimes overlapping white, green, and purple fibre blotches on yellow brown paper. Each blotch varies in colour from light to dark.

Washi sample mounted on white, labelled and folded paper with 3-pointed leaf above scrolled 'm' watermark. Sample is many randomly scattered dark to light small indigo blotches on pale yellow white paper. Uneven shading where indigo fibres have concentrated and dispersed.

Washi sample mounted on white, labelled and folded paper with 3-pointed leaf above scrolled 'm' watermark. Sample is randomly scattered dark indigo circular blotches on pale yellow white paper. Uneven shading and dark edges where indigo fibre is more concentrated.

Two pencil rubbings on a piece of paper. Top image is an eagle design. Bottom image is a sea urchin design.

Washi sample mounted on white, labelled and folded paper with 3-pointed leaf above scrolled 'M' watermark. Sample is four uneven light blue wavy lines width-wise across light brown paper. Lines are marble-like in appearance. Paper is smooth with dark particles added.

Washi sample mounted on white, labelled and folded paper with 3-pointed leaf above scrolled 'm' watermark. Sample is swirled green and brown with one prominent yellow area. String-like appearance overall from long fibres concentrating together. Single-strand fibres cover most paper area and disperse to reveal white areas.

Washi sample mounted on white, labelled and folded paper with 3-pointed leaf above scrolled 'm' watermark. Sample is single-coloured blotched sections of indigo and purple fibre near paper's edge and extending across its length. Colours separated by white central area and sections are dark to light in colour where fibres concentrate and disperse.

Daoist album leaf. Painting depicting Xu Xun and the iron pillar restraining drifters. Three figures with red hair and mallots are depicted along with a crowd of people with objects hidden from view hanging from yokes that are slung over their shoulders, all looking at what appears to be burning buildings, and a seated figure in yellow and blue robes surrounded by several warriors with swords and sticks. There are several building roofs surrounded by clouds in the background. A cylindrical object in the foreground has multicoloured flames emerging from the top and is surrounded by several building roofs partially obscured by clouds with a wall at the very front. The painting is mounted on off-white damask-patterned silk on paper.

The head of crucified Christ is portrayed through the use of traditional Northwest Coast elements of design. The red form line defines the features of the face and molds the negative white space into ovoids, split u's, and s forms that represent the hair, the crown of thorns, and the expression of agony. A four way split forms a cross on the chin. A stabilizing effect is achieved by the six split lines emerging from the head. Pencil inscription across the bottom reads 'JOHN 15:13 HEBREWS 9:28 Roy Henry Vickers 14/7/76'. The print is on a vertically rectangular, light white paper piece.

The single eagle figure is presented in primarily black form line with red secondary features against a light brown background providing negative space in the design. The head of the eagle is in profile and facing to the right side. Has a black ovoid eye, a black beak with red u forms and red lips with red u forms behine. The wings hang down on each side of the figure. Each wing has a black ovoid and red u forms across the top with red and black s-shapes, u forms, split u's, and t-shapes below. The middle section is in the form of a human face that has black ovoid eyes with black brows above, a black nose, red cheks, and a red mouth. The legs are at either sides bent at the knees with three-digit claws that vace a circle at the centre. A cross surmounts the tail feathers. There are six tail feathers with the four innermost having red u forms surrounded by a black one and the two outermost feathers, one at each side, being just plain black. Pencil insciption across the botton reads '53/150 3/6/76 EAGLE (LARHSGEER) ISAIAH 40:31Roy Henry Vickers TSIMSHIAN TRIBE KITKATLA B.C.'. The print in on a horizontally rectangular, brown paper piece.