Photographic print of a mother and child on horseback; figures are done in black and have yellow halos. Mother is wearing a long cloak, secured at the throat with a brooch, and has her right arm wrapped around her child; left arm is resting against back of horses' neck. Reins of horse flow into the lines of mother's cloak; horse mane also highlighted with yellow. The image is painted on a gold and silver car hood; centre of hood is silver, side panels are gold. Edition number, 12/224, title, artist signature, and date made are written below image; embossed artist signature in bottom right corner.

Painting on paper of three bracelet designs, in rows, with three decorated maple leaves underneath all. Top two bracelet designs are inside elongated ovals; bottom design is inside thin rectangle. Designs (from top to bottom) are: serpent, black bear framed with floral motifs, and raven. Maple leaves are filled with Canada geese and the word "CANADA". Names of designs are written in pen around each motif; all components are decorated with formline design elements. Bracelets are all black; Canada geese done in black, red, blue, gold, and light green. Series number, no. 17, title and artist signature written along bottom edge.

Painting on paper of a war canoe with bird motif on the side; three dark green maple leaves extending from top of canoe. Designs inside leaves are (from left to right): killer whale, raven, and kingfisher. Leaves are highlighted with olive green and dark blue. Two orange maple leaves are underneath canoe, protruding from bottom edge of painting; both have thunderbirds inside them. Leaves are highlighted with dark green, blue, and olive green. All animal motifs are shown in profile and have the word "CANADA" written alongside them. All components are decorated with formline design elements; done in black, gold, green, dark red, orange, and lime green. Series number, no.2, title and artist signature written along bottom edge.

Painting on paper of nine decorated dogwood flowers; done in three rows of three, four and two. Designs inside flowers are (from left to right, top to bottom): hawk, whale, [unknown], whale, sun, sun, eagle, wolf, and fool. All but the second and fourth flowers have leaves along their stems; flowers are a mix of black, green, dark green, gold, lime green, orange, and maroon. Majority of flowers have "B.C." or "British Columbia" written inside them, along with the name of the design. All components are decorated with formline design elements; done in orange, green, red, light blue, gold, lime green, olive green, dark green, black, and brown. Series number, no. 6, title and artist signature written along bottom edge.

Painting on paper of five decorated maple leaves; done in two rows of three and two. Designs inside leaves are (from left to right, top to bottom): beaver, monster, hawk, owl, and fool. First, third and fifth leaves are black, second is dark green, and fourth is teal. All leaves have "CANADA" written inside them, along with the name of the design. All components are decorated with formline design elements; done in orange, olive green, dark blue, black, teal, gold, light green, and red. Series number, no. 5, title and artist signature written along bottom edge; additional numbers in corners on front and back.

Northwest Coast imagery painted on a doubled piece of large, rectangular burlap. The image background and facial details are in red, with a vertical dark blue border along the edge of each side. There are four main faces, with round copper buttons for eyes. The bottom section has one of the larger faces, with a dark blue canoe in profile above the centre; then two smaller faces side-by-side in the middle, with two rectangles above, each with two small faces detailed inside; then another larger face at the top, with three dark blue copper shapes above it. The unpainted areas of the faces are natural light brown jute. There are two small white plastic buttons sewn on near the lower left corner. The piece is made of two pieces of burlap folded over at the top and sewn together, using the same jute fibre, along the sides, with the bottom left open. The back is unpainted, with a large Royal Coffee stamped logo in the lower half.

Painting on a rectangular piece of slightly warped bark; depicts Njaljod (the Rainbow Serpent). Painting background is orange-red and the undulating serpent spans the entire width. Serpent has a thick body that narrows at the neck and tail, an oval-shaped head with an open mouth, and two small circular eyes. A long, white forked tongue extends from mouth, into bottom right corner of painting. Body of serpent is decorated with chevrons filled with cross-hatched bands; bands are dark yellow, maroon, black, and white. Lines dividing chevrons are maroon and decorated with alternating black and white dots. White bands run along curves of serpent, with maroon diagonal lines spaced throughout. White flowers extend from the bottom and top of serpent, at the centre of the painting. Wooden rods are tied to either side of painting, with plant fibre ties. Back of painting is undecorated; inscriptions written throughout and a paper label is adhered to centre. (Metal hanging hardware along top edge).

Painting on paper depicting two Thunder Bird dance masks; shown in profile, facing one another, and tilted upward. Both have curved beaks with nostril cutouts, thick ridges along their tops, cedar bark fringe extending from the back and bottom edges, and two U-shaped wings along the backs. Underneath the masks are the sides of a Thunder Bird dance cape, designed to look like wings; four feathers on wing underneath left mask and three feathers on wing under right. Mask on left has U-shaped horns and a ridged tongue; mask on right has curved horns and a smooth mouth. Masks and cape elements are decorated with formline designs; done in black, gold, red, dark green, orange, blue, and light green. All cedar bark is painted gold, orange, and yellow. Title and artist signature written in pen along bottom edge of painting. Additional numbers written in corners on front and back.

Square Tigua painting depicting a fiesta in a village and the countryside. The sky and the countryside serve as the background of the painting. On the left are three fields, each with a different crop, being tended to by farmers, and a field with white camelid creatures with two herders. The village scene shows people in costume with masks and musicians. The canvas itself is formed by a piece of goat skin stretched and nailed over a wooden frame.

Small, rectangular, Tigua painting depicting a fiesta in a village and the countryside. The bird-filled sky and the countryside serve as the background of the painting. The village has two buildings with thatched grass-like roofs. There are many figures in costumes and masks. In the fields behind the village, are grey and some white camelid creatures in the valley and up on the cliffs. The mountain, cliff's edge and rock formation all have humanoid faces. The canvas itself is formed by a piece of goat skin stretched and nailed over a wooden frame.