Large rectangular yellow cedar panel, with a centre circular relief carving with painted orange-red primary form lines, black secondary form lines and anatomical features; negative space in and around carving is oiled. Image: two black side bands have frontal orange-red frogs with splayed bodies on either side of head, subtle differences in depiction of each frog. Central image: combines bird and mammal features; top half is frontal mammal's head with double split u ears, heavy bent brows, square-like pupils in pointed eyelid lines, broad flat snout joined to top of continuous lip band, six wide rectangular upper teeth; pointed beak joins bottom lip band, split u nostrils, wings, angled on either side of beak, have identical frontal animalistic faces, beside each face is a three claw foot. Signed at bottom corner on right: Bob/87, the letter D is carved over the letter B. Numerous tiny holes and oil spots along bottom edge.

Bulbous shaped clay pot with rim that flares out. Rectangular shaped handles on either side with rounded ends that curve upwards. Between the handles on both sides are two raised circles, one is set inside the other.

A deep wood scoop with parallel handle ending in a knob. Carved lines on the scoop curve from the mid-point to the base of the handle, joining at a human-like image. Stained black.

A solid wood stick tapering from a thick use-worn butt to a point at the other end. A wavy, eye-like pattern is carved along the narrow half and is separated from the undecorated butt end by two encircling grooves. The design is stained black on the raised parts and pigmented grey in the incisions. The undecorated wood is light brown.

Carved wooden yipwon (hook figure). Flat, rectangular wood piece with a slight curve at the bottom and a taper to a rounded end. The front has three dimensional carving, starting at the top: two hooks facing each other, elongated human face with shell inlay eyes, three carved projections, one hook facing up. The base of the hook is carved in relief with a stylized geometric design. In the cuts is a white pigment.

Single piece of wood roughly carved into a bell shape with a deep round bowl tapering to a protruding base. Carved line encircles the rim and another encircles the bottom third of the bowl. Two holes pierce the base.

Basket hook with a shaft formed by a male figure carved in profile with an extended nose and mouth that down to his belly, and his hands hold the nose. A cord is attached for hanging through a hole at the top of the figure's head. The hook is double-sided.

A wood stick with a knobby head at each end. Unevenly carved with carving marks visible. The brown wood was stained black.

Unevenly rectangular slab of wood incised on one side with a central crocodile figure bordered with geometric patterns of triangles, ovals and diagonal lines on the top and bottom pattern. Fibre ties run through four holes in the wood on the back. The surface is covered in charcoal pigment.

Part of a tumbuan body mask/costume. Fibre mask, conical in shape with a sennit fringe around the bottom edge and outlining the central face. The entire body is painted with a faded white, black and red zigzag-like pattern. The face has a red triangular pattern outlined in black on a white ground. The eyes are black woven circles with holes in the middle; the red nose is woven and protrudes out with a long bundle of sennit hanging down from the tip. The brow consists of black bird skin while the painted forehead is lined with cassowary feathers and toped with a piece of cuscus skin. The inside is hollow.