This otter skin cap tail would generally be worn around the neck or attached to a choker. It has a side edge of loom beadwork in white with red and blue designs. The blue cloth heart on the top edge is edged in white and red and is beaded on the reverse side. The support material which is hidden by the fur is covered with reverse appliqué ribbon work which conceals the fur fold and seams.

Otter skin tied with hide possibly as a pendent. There is no evidence of any scalp lock attached. Designation comes from original purchase book by curator Stewart Culin. According to Sean Standing Bear 10/24/2000) the hair attached to it is buffalo "fluff."

Wide, otter fur headband with a white bead edging, black felt on the inside.

In the Spirit of the Ancestors-This robe was worn by Haida artist Reg Davidson at a potlatch he hosted in Old Massett, B.C. in February 2002. The designs on the central panel are called tattoo designs, after a traditional pattern that was tattooed onto the backs of Tlingit noble women's hands. Davidson's robe was inspired by an old robe documented in a sketch made by Pavel Mikhailov on a voyage to the Northwest Coast in 1827.

Water otter skin with short fur varying from light to medium brown.

Thick wooden board with faint black eye design outlined with sea otter teeth to form a face.