Wooden figure of a cat. Animal is in a laying position, with front feet stretching out, back feet bent at sides, tail held out behind, all separate pieces of wood attached with small metal nails. Head is held high on a thick neck and angled slightly to the side with ears perked. Features are painted on a red base, black spots placed evenly along the neck, torso and tail, with smaller on the face. Eyes are wide and yellow. Black nose, whiskers and mouth have been painted as well.

Paper mache figure of a leopard. Cat is in a walking position with head and tail held low. Mouth is open, and white plastic canine teeth are prominent. Translucent plastic fibres are inserted into small holes above the mouth to create long whiskers. Eyes are plastic and inset into the head. Leopard is painted a dark yellow with large spots around centre of body, small spots on head and extremities.

Portrait mask with long black-brown hair, large black eyebrows, carved out eye holes and open mouth. Bird design on right and flame design on left side of the mask. There are four holes on each side on the back for hanging. Hide thong tied through the holes at back. Artist inscription on back.

Wooden song leader's staff or dance wand (wutsaagáa), cut into two pieces (parts a-b). At the bottom is a short, unpainted handle, otherwise the entire length is covered in carved figures depicting animals. Many abalone inlays have been used for eyes, and as decorative details on areas such as wings and fins. The figures are painted in red, black and light blue. The back is partially rounded/hollowed out. The two pieces have been attached by a long wooden peg, through a hole in each piece. (The peg now sits in the upper hole, visible at the back.)

Round drum from a single skin stretched around a wooden frame. The skin is pulled around the edges of the drum and held together at back with skin thongs. Raven design on surface painted in blue, black and red. Artist inscription and date on the side.

Small bentwood box (part a) with lid (part b). Box has soft rounded corners with thin square base painted in grey-blue. Killer whale design carved around exterior. Thick grey-blue square lid with sharp edge. Artist initials carved in base.

Cylindrical basket with painted Wasgo (sea wolf) imagery around the side in black with faded white, red and blue details. The upper border is elaborated with geometric designs created through a raised pattern of skip-stitch twining.

Small bentwood box (part a), slightly angled, on a black square base with a sloping top. A male figure (part b) is kneeling inside the box and covering his ears with both hands. A separate mermaid figure (part c) lies on a grey rock. Design painted on box exterior. Artist inscription and title carved in base.

Small carved bentwood box (part a) with lid (part b) and a separate carved figure (part c). Box has soft rounded corners with carving on exterior, and blue painted design. Thin unpainted square base and a lid with a sharp edge. Sides of the lid are painted in dark blue. A sitting figure at one corner of the box is holding the lid up and looking inside the box. Artist inscription on base.

Small bentwood box with lid (part b). Box has soft rounded corners with thin unpainted square base. Thick square lid with diagonal corners cut. Two owls with wings outspread carved on box’s exterior. Owls are painted in white with red and black details, blue paint in the negative space. The lid and interior of box are unpainted. Artist inscription carved in base.