Clay dish with seven round indents (part a), each with its own cover, or lid (parts b-h); indents then function as feet for dish. Top of dish is painted(?) a darker shade than the natural clay; lids and base of dish are unglazed. Edges of dish curve upward slightly; sides are decorated with scallops, using clay from underside of dish. All covers are cone-shaped and have circular knobs on top, for handling.

Long knife (part a), whittling knife (part b) and scabbard (part c). Long knife has a deer horn hilt carved into the profile of a bird’s head. Hourglass-like designs and curvilinear motifs incised throughout. Protruding from the top of the bird’s head and the beak are sections of short black and red hair. Hole drilled through pronounced nostrils, for hanging or attachment purposes. Hilt grip covered with woven band of rattan. The blade is convex on one side, slightly concave on the other, and widens from the hilt. Tip is angled. The whittling knife has a small curved blade attached to a long, slightly curved handle. Blade end of hilt decorated with a wide band of braided metal. Blades of both knifes are secured to hilts with resin. The scabbard is composed of a wood sheath for the long knife and a bark sheath for the whittling knife. Wood sheath made of two pieces of wood bound together with rattan. Ties alternate between single dyed strands and thick decorative bands. Bands, woven with naturally coloured and dyed strands, consist of “X”-shaped designs, concentric circles and knots. Wood is painted dark red and has incised motifs, matching designs on long knife hilt, throughout. Bark sheath is undecorated and secured to wood sheath with plain rattan ties. Braided rattan carrying cord, with looped end, threaded through bark sheath.

Forward facing stone figure in a standing position. Front is curved, back is flat. Head is oval-like, with large cheeks and a pointed chin. Eyebrows carved in high relief with wide depressions below, imitating eyes. Small ridge between eyebrows, imitating nose. Line gouged towards bottom centre, imitating a mouth. Arms, with pointed ends, held parallel to rectangular body. Legs have curved outer edges, straight inner edges, and pointed ends. Deep channel carved between legs on front and back of figure, space between ends has been cutout. Linear decorations wrap around shoulders and waistline.

Male Bunraku theatre puppet (part a) wearing a long heavy robe. He has a removable head (part b) and separate sword (part c). The body has an internal wooden, bamboo and paper frame, with cords and rods throughout to control arm and hand movement. There are stuffed cloth bundles around the arms, legs and stomach for added dimension. The character is wearing a long-sleeved, front-closing under-robe, coloured dark orange with elaborate white embroidery across its entire surface. Motifs consist of circular dragons with curvilinear and floral lines in between. Overtop, the puppet is wearing a short-sleeved, vest-like robe. The shoulders and lower half are pleated. Coloured dark purple with a dark grey meander pattern background. Throughout there are embroidered circular dragons divided by rows of flowers; designs in white, dark orange and dark green. Matching belt tied around waist. White wooden hands extend past the sleeves. The head (part b) consists of a beige square-like face, long beige neck and styled black hair. He has a wide nose, large light grey eyes, and wide slanted eyebrows. A pointed diagonal red line is painted across both eyes, lips are done in a matching red. He has a light blue beard and moustache. Hair is pulled into a top knot, with a paper bow secured behind. Head is attached to a wooden rod with a handgrip. Multiple cords, with toggles, run through the grip and into the head, to control eye, eyebrow, mouth and neck movement. Maker's mark stamped onto base of head and along back of handgrip. The short curved sword (part c) is sheathed. It has a black hilt with a bronze-coloured metal pommel and guard. The sheath is black with a bronze-coloured metal cap. The sheath’s grip is dark brown and has light brown flowers painted across it. Brown, grey and white striped cord tied around the blade, to attach it to the puppet’s belt.

Woven cedar bark screen with painted design in a horizontal orientation. Image is of two identical thunderbirds, bodies facing front and heads facing each other. Thunderbirds are outlined in black with formline designs throughout interior. Designs done in black with green and red-orange highlights. Each thunderbird has a curved horn on the back of their head and semi-circular shaped protrusion on top of their head. Thunderbirds have downward pointing wings and legs widely spread outward. Wings and tails have three feathers each and they are filled with dots. Wings have blue-grey dots, tail feathers have green. Main bodies are filled with red-orange dots, surrounding central designs, and head filled with blue-grey dots. Borders around all edges of screen are made of dyed(?) dark green-black strips of bark. The screen is edged with wide strips of bark.

Illuminated Qur’an, with naskh script written in black ink and pages edged with gold leaf. Covers and spine made of black leather, with raised floral and curvilinear motifs throughout. Long oval in centre of each cover, with stamped motifs. Spine is undecorated. Flap closure attached to back cover. Flap lined in dark red cloth, covers lined with blue-grey paper. Each page of the Qur’an has lines of script, with circular motifs throughout sentences, bordered by simple red, black and gold lines. The first two pages are highly decorated. Motifs done in gold and blue, with pink, yellow, red and grey-green highlights throughout. Designs include plain lines, curvilinear lines, flowers, and hearts. Pink, blue and gold decorative bands divide sections of text. Some pages have floral and star-like designs along the edges. Designs done in pink, green, blue, yellow and gold.

Illuminated Qur’an with script written in black and green ink. Covers and spine made of brown leather, with painted designs on the covers. Front cover has a central oval-like shape, with curvilinear attachments on the sides. Back has an oval-like shape, with scalloped sides. Green floral designs inside of oval. Spine is undecorated. Covers lined with white paper. Each page of the Qur’an has lines of script, with red highlights throughout, bordered by stylized, gold leaf frames. Frames have dark blue lines protruding from all sides. Black and dark blue floral and curvilinear motifs decorate the frames. The first two pages of the Qur'an have additional decoration. The stylized frames have an inner white band with floral and dot motifs. Motifs done in white, pink, light blue and dark green. Some pages have large, green dots along the edges.

Illuminated Qur’an with script written in black ink. Covers made of brown leather, with incised and painted decorations. Spine made of painted cloth. Front cover has a raised, inner border, outlined in black paint on the outer edge and a wide band of gold leaf along the inner edge. Alternating incised lines and dots along the raised portion. Lines done in black, circles in gold. In the centre of the cover is a raised oval, with pointed ends, outlined in gold and black. Black curvilinear motifs across surface of oval, with impressed dots on each side. Dots are filled with gold leaf. Back cover has a raised, inner border, outlined in black and gold on either side. Covers lined with paper. Each page of the Qur’an has lines of script, with floral motifs throughout sentences, bordered by simple black and gold lines. The first two pages are highly decorated. Motifs are done in gold and blue, with pink, red, white and orange highlights throughout. Designs include curvilinear lines, feathers, flowers and arrows. Gold, red and blue decorative bands, with floral motifs, divide sections of text. Some pages have curvilinear designs along the edges. Designs are done in gold, blue and red, and filled with floral motifs. Pencil inscription on last page.

Illuminated Qur’an with naksh script written in black ink. Covers and spine made of brown-red leather, with identical floral, geometric and curvilinear motifs stamped both covers. Spine is undecorated. Edges of covers trimmed with two lines, circles in the corners. Raised, inner border, covered in motifs, surround a long oval. Circles in corners of raised portion. Ovals are filled with floral designs and bordered with curvilinear lines. Two bands, made of three plain lines and circles, extend from the top and bottom points of the ovals. They meet with the inner, raised borders. Flap closure attached to back cover, with matching designs along the surface. Spine of flap has stamped circles and lines. Flap and covers lined with white paper. Each page of the Qur’an has lines of script, with gold leaf and red paint highlights throughout, bordered by simple red and dark brown lines. The first and last page are highly decorated. Motifs on first page done in gold and blue, with dark purple, dark green, yellow and white highlights throughout. Designs include curvilinear lines, geometric forms, star-like shapes and flowers. Motifs on last page are done in gold, dark purple and blue. Designs are circular and curvilinear, text is written in red. Some pages of the Qur’an have characters written in red and black along the edges. Pages are numbered in pencil, in the bottom corners.