Furisode (振袖) with hanabishi (花菱, diamond shaped flowers) and paulownia designs. Made of patterned silk in red, on a gold and pink background. Large circles containing small kanoko shibori (鹿の子絞り) patterns, flowers and foliage are scattered across the surface, with gold leaves in various sizes and small silvery blue flowers stamped on top. Kimono is open at the front, with long draping sleeve panels open toward the body. Small openings for the wrists are at outside top of sleeves. Kimono is lined with a cream coloured fabric.

Furisode (振袖) made of patterned orange silk, double lined in red, pink and orange silk through body, lapel and sleeves. The kimono displays bunches of large flowers and leaves in an off-white colour, with delicate green veins and gold paint trim, across most of the garment. Printed on top of these are decorative emblems with trailing ropes in a variety of colours, emphasized with gold paint and gold metallic wire. The robe is open at the front, with long hanging panels draped from the sleeves. Panels are open toward the body to show the double lining, with a small opening for the wrists at top.

An oval wood container (part b) with its ends stitched together by bark(?). There are two pegs at the sides which help to hold the lid (part a) in place. The object is painted with a yellow, gree, and black spiral design.

Naked female figure sitting with spread legs, wearing low headdress. Remnants of red or ochre paint on back of head, back, and on lips? Arms extend at both sides to join the middle of each leg. Minimal carved details except face, headdress, small mounds for breasts, and small slit carved out between legs. Legs end as rounded stumps, below where hands sit. (Round sticker on back).

Standing figure shown wearing double lobed headdress, large earspools, skirt and wide cape. Arms held horizontally at front. Traces of red paint. Two small holes above lower arms go right through to back of figure. Another small hole in base. Back surface covered in marks from many small roots growing alongside object; sand stuck to front. (Round sticker on back).

Standing figure shown wearing elaborate headdress and cape. Face appears to be skeletal. Traces of red paint on part of headdress and cape. Square hole at back of head and another in the base. Break on right foot and parts of headdress, arms. ("Musuque" written on back in ink).

Hemispherical bowl with negative decoration and burnished surface. Two red-brown crossed bands with dots on the inner surface and vertical line decorations on outer side and inner rim. Four ancient repair holes near rim and two in base. Broken and partially restored.

Miniature terracotta pendant of a female figure with hands to front and bent knees? Pierced for suspension on top. Solid mold-made figure. Traces of black paint. Unbroken.

Grey-brown otter whistle, with cream and black eyes, opening on back, suspension lug on the other side, and long mouthpiece tube. Hand-built ceramic; partially burnished surface. Unbroken.

Single tone red-brown bird whistle with suspension lug at its back and opening below beak. Long mouthpiece tube. Traces of cream and black paint on beak. Hand-built ceramic. Partially burnished surface. Unbroken.