Small ceramic bird, standing upright, with its head and tail protruding outward from body; tall foot extends from bottom of figure, with a concave base. Bird has three-dimensional eyes on either side of its head; circular opening in centre of tail, along top. Eyes and top of head are painted black; wings, with feather details, also painted along sides. Artist mark imprinted underneath tail.

Small ceramic bird, standing upright, with a rotund body; body tapers to a tall foot with concave base. Bird has three-dimensional wings on either side, pointed forward and flush to sides; circular eyes sculpted on either side of face. Wings, top of head, and eyes are painted black. Artist mark imprinted along bottom edge of body, on back of figure.

Small ceramic animal with four legs, snout, and long curved horn(?) on top of its head. Figure has three-dimensional eyes on either side of its head, and a tail that wraps around its right hind leg; square cutout imitates nose, and nostrils and mouth are incised underneath cutout. There are circular openings in the centre of eyes, imitating pupils. Two inverted hearts are incised on either sides of its body, below the neck. Eyes and nose are painted black; stripes painted along length of horn(?). Artist mark imprinted on belly.

Small round off-white dish painted with black and green design elements. Inside of dish has design of a bird-like creature holding a fish in its claw. The upper creature has a fin on its head and a wing and tail. Both have black outlines with black and green elements. Black circle painted in the centre; black and green painted around the top of rim, with seven sets of three unpainted lines. The base has the Lambert Potteries stamp and a hand-written inscription: Salish Spindle Whorl / Hand-painted / T.

Baining bark cloth face mask. The hat has a sturdy formed brim, which expands into a conical crown, painted with repeating patterns of triangles on a continuous line that alternate in black and orange-red. A pointed wooden tip is inserted into the point of the hat. The conical crown is formed with a circular piece of wood, which has straight sticks attached to it, that extend up and meet at the tip. The interior of the crown is lined with large leaves. The face mask is attached to the hat where the brim meets the crown, and has a sturdy formed jaw line. The mask is painted with a skeletal face design showing sunken cheeks and forehead, open mouth with pointed teeth and large outlined black oval-shaped eyes. There is a hole through the centre of the forehead.

Multi-piece ceramic sculpture of a black ship hull with a crushed can, twisted product tube, log, and pitted sphere bolted onto it (part a). The can and product tube are black; tube has a red cap. The log is grey and dark brown, and covered with a small black blanket; olive green sphere, representing COVID-19, is perched on top of blanket. Additional components rest on the hull and sit around it; additional pieces are: small, crushed olive green can (part b), small, crushed black can (part c), grey pitted COVID-19 sphere (part d), and a dark brown flower with a wilted stem (part e). Ship hull, cans, and green sphere are glazed; rest of sculpture is painted.

Square ceramic tile with a tin glazed front and a small marketplace scene overtop; done in dark blue. Design consists of two male figures, facing one another. Both have wide-brimmed hats, tall boots, and loose shirts. The figure on the right has a front opening jacket; figure on left has a belted waist and is holding a large basket. Shadows of figures extend to right side of tile. Sides and back are undecorated.

Model totem pole depicting a bear, a figure holding a copper, and a thunderbird on top; nailed to a square base with a rounded top. The thunderbird has separately carved and attached wings spread out at its sides. The bear is in an upright seated position; front paws are resting on top of the human figure, whose body is covered by the copper. Pole is painted dark brown-red with black, red, dark green, and dark blue-grey highlights throughout. Formline design elements painted on the copper and across the bear and thunderbird. Inscriptions carved along back of pole and on base.

Carved and painted wolf mask. The wolf's head is large and heavy, with a wide forehead, strong jaws and a long, blunt muzzle with black nose. The face is painted grey, with lighter grey markings. The eyes are cutout, and shows the red painted on the back of the mask. The wide mouth has bared teeth, and large triangular ears sit on either side of the face.

Clay dish with seven round indents (part a), each with its own cover, or lid (parts b-h); indents then function as feet for dish. Top of dish is painted(?) a darker shade than the natural clay; lids and base of dish are unglazed. Edges of dish curve upward slightly; sides are decorated with scallops, using clay from underside of dish. All covers are cone-shaped and have circular knobs on top, for handling.