Elevated wooden betel nut box (part a), with divided tray sections and a drawer in the front (part b); walls of tray curve upward towards the centre. Outer sides of box are covered in raised carvings. Designs on sides of tray are floral, with central vine-like carvings, inside of rectangles; rectangles are bordered with triangles. Sides on lower half of box are decorated with rows of concentric diamonds, above floral motifs. All sides of box are black, trimmed with pink; motifs are pink and yellow. Small circular and semi-circular cutouts in centre on all sides, along bottom edge. Front of drawer (part b) is decorated with bands of concentric diamonds and diamonds with a Greek key motif; done in black, pink, yellow, and dark brown. Interior of box is undecorated, interior of tray top and drawer are black.

Demon mask. Carved and painted mask. Humanoid, demon-like face with bulging eyes, a protruding upturned nose and four tusk-like teeth. Light blue and gold scalloped headdress on top of mask. Central projection has three triangular protrusions with a teardrop-shaped projection in the centre. Ears painted a shiny copper colour. Mouth is open wide and has large white teeth along the top and bottom edges. Lips painted dark red, gums are pink. Face is painted brown and has black textured lines around the cheeks, and chin. Eyes are painted off-white, and rimmed in red. Mask has holes cutout under eyes and in mouth. Thin black knotted string attached. Skin with straight hair attached on brow and along top of head, and thick, curly hair extending along jaw.

Mata Besik mask. Carved and painted wood. Humanoid, demon-like face with one large bulging eye, a protruding upturned nose and one large tusk-like teeth. Two gold horns extending up on either side of the head. Lips and gums painted dark red. Face is painted brown and has black textured lines around the cheeks, and chin. Eye is painted off-white, with large black pupil, and rimmed in red. Mask has holes cutout under eyes and in mouth. Thin black knotted string attached.

Murik Lakes ancestor mask. Carving of an oblong and narrow face, with a prominent nose with a curved tip extending beyond the lower part of the face. The nose has two columns of holes drilled above the nostrils(?), and along the outer edge of each ear. Mask is painted red for the lips, ears, and extending down from the eyes to the nose, black on the lower portion of the face, extending up and around the eyes, and with white lime pigment in the designs on the forehead. The small eyes and mouth are cutout. Plant fibre is looped through the top. Interior of mask is concave.

Small flatbow (part a) and two arrows (parts b-c). Bow is rectangular in shape and has hexagon-shaped string nocks protruding from either end. Bow gently narrows at centre, for grip. Artist inscription written along lower section of bow, on belly. Arrows consist of points inserted into shafts; all parts are made of wood. The points are secured with fibre cord; painted dark red. Nocks are carved into shafts and whipped with fibre cord. Two helical fletch also secured to each shaft with cord, at top and bottom. Cresting along shaft; alternating stripes of red-orange and dark green. Points have thin triangular tips. The longer arrow (part b) has a protruding triangle decoration underneath the point, before flaring into the tang. The other arrow (part c) has no additional decoration. Triangle decoration is painted red-orange, tang painted dark green; other arrow (part c) only has a band of red-orange across the tang.

Carved wooden face mask with a large nose protruding out from the centre. Painted mainly in black and blue, with large red nostrils and a pattern of red dashes at both upper sides. Round open eyes and an open slit at the mouth. Chin unpainted. Braided cedar bark rope attached all around the edges; the braid meets at the top and is bound by a cotton twine. Half of the bark has been dyed red. Above the bound area the cedar bark sticks out over the forehead, as a loose bundle. Inside unpainted. Artist initials carved into wood (T inside the A). (Metal eye hook and plastic tied across back for hanging.)

Long knife (part a), whittling knife (part b) and scabbard (part c). Long knife has a deer horn hilt carved into the profile of a bird’s head. Hourglass-like designs and curvilinear motifs incised throughout. Protruding from the top of the bird’s head and the beak are sections of short black and red hair. Hole drilled through pronounced nostrils, for hanging or attachment purposes. Hilt grip covered with woven band of rattan. The blade is convex on one side, slightly concave on the other, and widens from the hilt. Tip is angled. The whittling knife has a small curved blade attached to a long, slightly curved handle. Blade end of hilt decorated with a wide band of braided metal. Blades of both knifes are secured to hilts with resin. The scabbard is composed of a wood sheath for the long knife and a bark sheath for the whittling knife. Wood sheath made of two pieces of wood bound together with rattan. Ties alternate between single dyed strands and thick decorative bands. Bands, woven with naturally coloured and dyed strands, consist of “X”-shaped designs, concentric circles and knots. Wood is painted dark red and has incised motifs, matching designs on long knife hilt, throughout. Bark sheath is undecorated and secured to wood sheath with plain rattan ties. Braided rattan carrying cord, with looped end, threaded through bark sheath.

Forward facing stone figure in a standing position. Front is curved, back is flat. Head is oval-like, with large cheeks and a pointed chin. Eyebrows carved in high relief with wide depressions below, imitating eyes. Small ridge between eyebrows, imitating nose. Line gouged towards bottom centre, imitating a mouth. Arms, with pointed ends, held parallel to rectangular body. Legs have curved outer edges, straight inner edges, and pointed ends. Deep channel carved between legs on front and back of figure, space between ends has been cutout. Linear decorations wrap around shoulders and waistline.

Head of a female Bunraku theatre puppet (part a) with stand (part b). She has a white oval-shaped face, long white neck and elaborate black coiffure. She has a wide nose, large light grey eyes and her eyebrows are light blue. Her lips are painted dark red, teeth are black. Her hair is pulled back into three buns. Front bun is secured with cord, and the centre bun is held in place with a kushi (comb) and kogai (hair tool). Both are made of black lacquered wood with iridescent plastic decorations embedded in them. Designs are floral and coloured red, light purple, white, light pink and light blue. The bottom bun is secured with a two-pronged, gold-coloured metal hair pin. The top has a circular medallion with a floral motif. The head is attached to a wooden rod with a handgrip. Two cords, with toggles, run through the grip, and into the head, to control neck and eye movement. The grip fits into a wooden stand (part b), supporting the head at an angle.

Male Bunraku theatre puppet (part a) wearing a long heavy robe. He has a removable head (part b) and separate sword (part c). The body has an internal wooden, bamboo and paper frame, with cords and rods throughout to control arm and hand movement. There are stuffed cloth bundles around the arms, legs and stomach for added dimension. The character is wearing a long-sleeved, front-closing under-robe, coloured dark orange with elaborate white embroidery across its entire surface. Motifs consist of circular dragons with curvilinear and floral lines in between. Overtop, the puppet is wearing a short-sleeved, vest-like robe. The shoulders and lower half are pleated. Coloured dark purple with a dark grey meander pattern background. Throughout there are embroidered circular dragons divided by rows of flowers; designs in white, dark orange and dark green. Matching belt tied around waist. White wooden hands extend past the sleeves. The head (part b) consists of a beige square-like face, long beige neck and styled black hair. He has a wide nose, large light grey eyes, and wide slanted eyebrows. A pointed diagonal red line is painted across both eyes, lips are done in a matching red. He has a light blue beard and moustache. Hair is pulled into a top knot, with a paper bow secured behind. Head is attached to a wooden rod with a handgrip. Multiple cords, with toggles, run through the grip and into the head, to control eye, eyebrow, mouth and neck movement. Maker's mark stamped onto base of head and along back of handgrip. The short curved sword (part c) is sheathed. It has a black hilt with a bronze-coloured metal pommel and guard. The sheath is black with a bronze-coloured metal cap. The sheath’s grip is dark brown and has light brown flowers painted across it. Brown, grey and white striped cord tied around the blade, to attach it to the puppet’s belt.