Round drum, double-faced, with drumming surface on both sides. Midsection flares out and is covered in a dark red velvet, with an encircling line of metal rivets on both sides of the fabric holding the skin tightly in place. Skin has been painted black. A metal noisemaker inside the instrument serves as a rattle.

Set of wooden clappers and accompanying cloth bag (part b). Instrument consists of three long, rectangular pieces of lacquered wood, the topmost with a central raised spine, the others flat. An inscription in Chinese characters is carved into the wood of the top piece, filled with green paint. The clappers are joined together with a thick, braided red cotton rope looped through two holes bored through each piece of wood, and decoratively knotted on one side with tassels falling from the ends. The cotton carrying bag is blue with a white pattern of foliage and dots, and has a pull cord at the top.

Oblong bentwood box with lid. Small box (part a) is made of a single piece of bark curved into a long rounded shape, around a wooden base, with edges connected by stitchings of leather. Several small nails attach the bark to the base. Bottom interior has remnants of paper that had been glued to it. Exterior shows very faded black and red linear designs and swirls across the surface. Lid (part b) is of similar shape and construction with adhesive attaching the bark to the wooden top. Design is a black dotted line around red and black leaf shapes and triangles.

Mirror bag. Small rectangular bag is made from pliable light grey suede on the front, with beaded decoration showing birds, flowers and foliage, a short fringe attached along the sides. The back is made from parfleche, painted in lines of blue, red, yellow and green. The bag narrows slightly toward the bottom, where a fringe wrapped in pink and light tan plastic hangs, finished with small cone shaped pieces of metal wrapped around tufts of red feathers. A handle is short sewn to top corners of bag by suede thongs, and edged in green beading. Long strands of beading are attached to the bottom corners, upper sides, and along the bag handle, also finished with metal wrapped feather tufts. The interior of the bag is lined in unbleached cotton.

Carved wooden club. Blade is a long leaf shape, increasingly thick toward the centre on both sides where a line runs down the spine from tip to hilt. Swirling foliage is carved into the surface, a natural light brown colour in crevices, with the surface painted a dark brown or black. The grip on the hilt is undecorated, smooth and rounded, Pommel is in the shape of a bird's head with patterning carved along back and top, under which is a large eye and curved, blunt beak.

Yam basket mask. Mask is constructed of basketry in thin strips of rattan wrapped around a frame of thicker rattan pieces. Headdress is spade-shaped, with alternating areas of open and closed basketry in black, dark yellow, rust red and white paint applied heavily onto the surface. Under a densely painted and coloured forehead are two round eyes covered in white. Open spaces fall away below, with a long slightly raised nose between, two nostrils at bottom, and to the sides an outline of a face with chin. This is covered in a rust coloured paint. The back of the piece is undecorated.

Puppet of a standing man (Minister character or wun) wearing robes. The figure is made of wood overlaid with an elaborate suit of clothing that includes a light green silk under-tunic and dark green velvet coat edged in a panel of silk heavily embroidered with metallic thread. A canvas sash falls across his torso, embellished with metal sequins and a large jewel at centre. On his head is a rounded hat decorated in velvet, canvas and sequins. Purple pants clothe his legs. The puppet's feet are bare and painted dark brown, as are his hands and head. His face contains inset plastic eyes, a plastic gem earring hanging from the left ear, a moustache of hair, and a moveable chin. Thick string is attached to the hands, elbows, feet, knees and head, leading back to a wooden controller. Part b is a wooden stand with a thick base and decorative post.

Puppet of Garuda (mythological bird character). The figure is made of wood overlaid with an elaborate suit of clothing that is fully covered in pewter-coloured sequins, gold metallic thread and beading. Shoulders and elbows of the outfit are padded and pointed, with a heavy coat tail, and long front flap decorated with coloured, jewel-like buttons. The figure's feet and hands are painted thickly in gold, as is the moveable head. The face shows a curved beak with long canine teeth emerging, large pointed ears, and a tall conical hat painted gold. Small shiny stones are embedded in an even pattern across the head and hat. Part b is a gold dagger also covered in gold with inset stones. The weapon fits inside the figure's closed right fist. Thick string is attached to the figure at wrists, upper arms, knees, ankles and head, leading back to a wooden controller. Part c is a wooden stand painted burgundy, with a thick base and decorative post with two horizontal pins that hold the figure under the arms to display it in a standing position.

Leather necklace with three piece pendant. A patch of white goat hair is applied to a square of dark brown painted leather edged with white stitching, under which is a small wooden bead held by two short braids. To each side of this central piece are smaller rectangles of leather, decorated with a border and vertical line of dark brown paint, also edged with the white stitching. These pieces are attached to a necklace made from three thin braids of leather held together by white wrappings. The closure is a loop into which fits a small club.

Carved wooden mask. Face is long and narrow, with a dark, pointed beard and tall hairstyle topped by a bun. Inner portion of the face is a light tan colour, with bulging eyes, a small, narrow nose, and protruding diamond shaped mouth. Two rows of small squares decorate the cheeks. The forehead and edges of the face are painted red, with a diamond shape carved on forehead at centre, and two small round ears protruding from sides. The back rim of the mask is large, unpainted, and carries two bored holes on each side and at top. It has been lacquered on the interior.