Mushroom-shaped, bark cloth pubic cover. Consists of a bamboo cylinder, wrapped in bark cloth and secured with plant fibre, and circular head. Cylinder extends from back of cover. Structure of head formed with an inner strip of bamboo. Front is painted white. Cylinder is visible from front, in centre, and painted red, with a matching dotted line bordering it.

Square ceramic tile with pomegranate motif carved in relief across front. Surface is glazed. Background is painted black, with a green tint. Three large pomegranates are growing from curving branches, that extend from top edge of tile. Leaves and offshoots, from same branches, decorate rest of surface. All are coloured dark green. White marks throughout design, highlighting veins in leaves and stem remnants on pomegranates. Five vertical ridges on back of tile. Manufacturer’s mark, Maw & Co., stamped between ridges.

Square ceramic tile with floral motif painted on front. Surface and sides are glazed. Background is off-white. Plain yellow border along edges, next to thinner band with black dots throughout. Central design of an ornate vase full of flowers. Vase has a wide opening, rounded shoulder, tapering base and flared foot. It is off-white and decorated with yellow, black and purple-red bands full of linear, geometric and curvilinear motifs. Three large hibiscus flowers extend from the vase, towards the top of the tile, and the left and right sides. Flowers are white and dark purple-red, with yellow centres. Offshoots of leaves, berries and smaller flowers fill rest of space. Most are done with black stippling, with larger leaves painted green and dark purple-red near the top. Raised grid across entire back of tile. Handwritten inscriptions on back.

Square ceramic tile painted dark teal with different designs overtop. Surface and sides are glazed. Entire background is dark teal with black dots throughout. Light blue quarter circles in each corner, with scalloped edges and curvilinear motifs inside them. Motifs done in white and light yellow. Small white and light blue flowers, with yellow centres, across surface, with three large circles towards centre of tile. All circles have a black border, off-white background and central light yellow design. Circle towards the left side has a fish, with curved lines and dots in the background. Motifs are done in light blue, imitating water. Circle towards the top has a flower with multiple black offshoots. Additional light blue offshoots in background. Last circle, towards right side, has a flying crane with light blue stalks in the background. Raised grid across entire back of tile. Manufacturer’s mark, Mintons China Works, stamped diagonally between squares.

Woven cedar bark screen with painted design in a horizontal orientation. Image is of two identical thunderbirds, bodies facing front and heads facing each other. Thunderbirds are outlined in black with formline designs throughout interior. Designs done in black with green and red-orange highlights. Each thunderbird has a curved horn on the back of their head and semi-circular shaped protrusion on top of their head. Thunderbirds have downward pointing wings and legs widely spread outward. Wings and tails have three feathers each and they are filled with dots. Wings have blue-grey dots, tail feathers have green. Main bodies are filled with red-orange dots, surrounding central designs, and head filled with blue-grey dots. Borders around all edges of screen are made of dyed(?) dark green-black strips of bark. The screen is edged with wide strips of bark.

Paper mache Day of the Dead mask. Humanoid male with sunken eyes, a wide nose, and rounded face. Black curl painted along top edge of mask, in centre of forehead and in between thin eyebrows. Curl imitates hair. Black fuzzy fabric glued to sides of face and above mouth, imitating sideburns and chevron moustache. Face is painted pink beige, and nostrils and lips are red-pink. Eyes are blue, with black trim around them and their irises. Four gold-coloured teeth glued to top lip. Holes in mask for eyes, nose and mouth. Eye holes are oval-like and in between the painted eyes and eyebrows. Holes drilled into either side of mask, with an elastic cord knotted through. Inscription written inside mask.

Paper mache Day of the Dead mask. Humanoid male with sunken eyes, a wide nose, rosy cheeks, and rounded face. Multiple black curls painted along top edge of mask, in centre of forehead and in between bushy eyebrows. Curls are imitating hair. Black fuzzy fabric glued to sides of face and above mouth, imitating sideburns and handlebar moustache. Black dot painted on chin. Face is painted pink beige, and nostrils and lips are red-pink. Eyes are light blue, with black trim around them and their irises. Long eyelashes are done in black. Four gold-coloured teeth glued to top lip. Holes in mask for eyes, nose and mouth. Eye holes are oval-like and in between the painted eyes and eyebrows. Holes drilled into either side of mask, with an elastic cord knotted through. Inscription written inside mask.

A short, cylindical, wooden fish spear with two sets of barbs. The spear is painted black and comes to a sharp point. Both sets of barbs are arranged in a triangular fashion around the shaft of the spear, in groups of three. The barbs are straight, with four sides, and point backwards in the direction of the spear's user. They are secured by wound string, also painted black. Wrapped around the middle of the spear is a white, rectangular piece of bark cloth. A design has been painted onto the cloth in black, and consists of circles and dots in a radiating pattern.

Illuminated Qur’an, with naskh script written in black ink and pages edged with gold leaf. Covers and spine made of black leather, with raised floral and curvilinear motifs throughout. Long oval in centre of each cover, with stamped motifs. Spine is undecorated. Flap closure attached to back cover. Flap lined in dark red cloth, covers lined with blue-grey paper. Each page of the Qur’an has lines of script, with circular motifs throughout sentences, bordered by simple red, black and gold lines. The first two pages are highly decorated. Motifs done in gold and blue, with pink, yellow, red and grey-green highlights throughout. Designs include plain lines, curvilinear lines, flowers, and hearts. Pink, blue and gold decorative bands divide sections of text. Some pages have floral and star-like designs along the edges. Designs done in pink, green, blue, yellow and gold.

Illuminated Qur’an with script written in black and green ink. Covers and spine made of brown leather, with painted designs on the covers. Front cover has a central oval-like shape, with curvilinear attachments on the sides. Back has an oval-like shape, with scalloped sides. Green floral designs inside of oval. Spine is undecorated. Covers lined with white paper. Each page of the Qur’an has lines of script, with red highlights throughout, bordered by stylized, gold leaf frames. Frames have dark blue lines protruding from all sides. Black and dark blue floral and curvilinear motifs decorate the frames. The first two pages of the Qur'an have additional decoration. The stylized frames have an inner white band with floral and dot motifs. Motifs done in white, pink, light blue and dark green. Some pages have large, green dots along the edges.