Gray-brown double spout burnished bottle with a slight flat base and bridge handle. Painted and geometrical incised designs of a falcon with prominent nose and ears in blind spout, 23 reed stamp circles (three of them double) on breast, four horizontal bands of twined fret on tail, long legs at sides and a band consisting of a string of circles, two chevron bands and one of twined fret passing from the shoulders of the wings around the spouts. Traces of brown-red and cream pigment. Molded and modeled manufacture technique. Broken and restored. Late Paracas Period.

Gray-brown double spout burnished bottle with rounded base and bridge handle. Two wide "Eye of God” designs on tail, long legs and feet to the sides. Incised and in relief bird motif in blind spout, circle stamps and geometrical designs in body. Traces of red-brown pigment. Molded manufacture. Broken, repaired and restored.

Double conical spout polished bottle with rounded base and bridge handle. Painted designs of seven jicamas with polychrome slip in short dashes: cream, orange-brown, gray, black, red-brown and brown on red-brown ground. Basket design in base with vertical black on white lines and band of diagonal black lines on top. Broken and repaired. Molded manufacture. Early Nasca Period.

Moche version of a Recuay flaring spout jar with a vertical strap handle and flat base. Terracotta with cream and red-brown slip. Human figure to front with poncho and legs in relief. Figure flanked by pumas with projecting heads and bodies in relief. Partially restored.

Transitional Necropolis-Proto Nasca monkey effigy and brown-gray slipped bottle with conical base and bridge handle. Blind spout head, body over top lying face down in red-brown paint, incised fingers and face. Molded manufacture and polish technique on surface. Restored.

Black moulded sculptural bowl with flat rim and rounded base. Bowl is supported by three anthropomorphic figures, 8.5 cm high, standing on the flat base. Pouring lip at rim. Burnished surface.

Grey-brown molded jug with globular body. Decoration is an incised ring around neck, 3.8 cm. wide with inverted “V” repeated, interspersed with punctuated dots. Traces of brown paint. Smoothing technique on surface. Complete.

Zoomorphic rattle with smoothing surface technique and a hole in flat base. It has a puma decoration in high relief on terracotta with cream and orange-brown slips. Broken and restored.

Terracotta cream-grey fish form container. Opening on back (lid is part b). Burnished surface. Circular and perforated eyes in high relief. Incised nostrils and mouth. Two pectoral and two anal fins. One small hole close to right eye and the other close to caudal fin. Unpainted belly. Rectangular cream-grey lid (includes dorsal fin) fits over aperture on back with holes for binding in place. Complete.

Burnished twin snail terracotta effigy bottle with stirrup, tubular spout and rounded rim. Yellow-cream shell, red-brown stirrup spout and orange-brown snail bodies. Moche Phase I. Breakage restored.