Small burnished clay disk with a slightly rounded bottom. Dish is round and shallow, and may have been used as a cap for a skull. Interior is painted a dark brown, as is the outside rim, with exterior body and base a light brown with areas of red-brown. No further decoration.

Small stirrup spout jar. Vessel is round with curved bottom, slightly taller than wide. Top is enclosed and has two spouts emerging, connected by a small curved bridge at their midpoints. Spouts, bridge, and base of pot are dark brown; a centre band of red brown is painted with two long necked, tan coloured, standing birds covered in brown spots with extended tail and raised wings.

Small stirrup spout jar. Vessel is a rounded cube with curved bottom. Top is enclosed and has a stirrup shaped handle consisting of a narrow spout at back, human-like head at front, and wide, curved bridge connecting the two. The head has a painted face with protruding nose and brown hair with a grey headband. The body is covered in a painted cloak, intricately decorated at back with a sea creature motif, and at sides with black and white checks. The front is a tan square edged with tan, orange and grey motifs. A pendant is painted at top centre.

Figure jar. Vessel is slightly wider than deep, rounded with a flat bottom and two dark grey humps on the shoulder to either side of the neck. Neck is thin and tall, with a protruding and painted human face in dark red at front. Above is a headdress with a repeating bird’s head motif. Front and back of body hold raised details of snakes and bird-like creatures, along with painted decorations of chevrons, animal heads and plant life. The bottom third of vessel is painted dark brown, and otherwise undecorated.

Terracotta dish. Round high sided dish has a deep, rounded base and flares widely at rim. The outside is burnished and painted a light tan at bottom. At midpoint is an encircling motif of faces with large, wide eyes, a small mouth and a straight lock of hair to each side of the face. Above, the pot has two colour blocks of dark orange interspersed with two blocks of tan containing a decorative linear motif in dark brown and orange. The interior is undecorated.

Large round, burnished dish; broken and repaired. From a small rounded base, the dish flares up and widely outward into a broad rim. Interior of rim is painted dark orange with a repeating set of tan, white and grey lines that surround two panels of dots and curving lines. The outer rim is painted orange while the interior base and lower portion of the exterior are undecorated. The dish had been in pieces, then glued back together.

Large terracotta vessel, broken and repaired. Pot is conical in shape, with a pointed base that widens dramatically to a bulbous shoulder. The small neck perches on the top of the pot, and has an outwardly flaring rim. Above the midpoint the pot is painted with two encircling lines of running birds (?) in black, white and dark brown, with an arrow shaped motif below them. The area around the neck is painted in repeating patterns of linear designs and triangles. Neck and rim have black decoration. The pot had been smashed and glued back together, with several small missing pieces.

Long spear. Shaft is made from a light grass material, maintaining diameter until its proximal end where it narrows to join with the spear neck. Strands of fibre are wound tightly many times around the connection, as well as at the shaft’s distal end. Remnants of glue here indicate further fibre wrappings. Spear neck is of a dark brown wood, while head is made of a lighter wood and lashed to neck with fibre. Head takes a leaf shape, flared at centre, narrowing to a pointed tip, concave on one side where it is painted black with box designs at centre. Opposite is decorated with a line of ‘v’ and diamond shaped designs. Remnants of red and yellow feathers can be seen in the lashing of head and neck. Neck holds several sets of engraved encircling lines.

Clay pot. Vessel has a small, flat, round base, from which the body flares to a bulbous belly and then inclines to a tall, narrower neck with slightly flared rim. Exterior bottom of body is painted dark orange, while above the bowl is a light yellow with fine linear designs in black, representing the Shipibo concept of the interconnectivity of the universe. Occasional shapes in orange appear among the designs. The interior of the bowl is unpainted.

Round clay bowl. Vessel has a small round base, from which the body flares widely toward the midpoint. Bowl inclines from midpoint to mouth. Exterior below midpoint is painted in two shades of orange, glazed. Above, bowl is painted a light yellow with a fine, lightly incised linear design representing the Shipibo concept of the interconnectivity of the universe. Some lines are emphasized with dark brown paint, and occasional orange blocks of colour appear among the designs. The interior of the bowl is raw, painted sparsely in thick white and orange lines similar to those on the exterior.