Ceramic figure of the deity Lokapala standing on a cow. The figure wears full armour with dragon heads at the shoulders, a robe that flows out from under a waistcoat, long pants, and boots. His left hand rests on his hip, while the right is extended to hold a weapon (piece missing). Lokapala is smiling fiercely, with a thick brow above dark eyes. His hair is piled atop his head in a simple but decorative arrangement. The cow below his feet is small, lying on the ground in a resting posture with legs folded beneath, head raised, eyes open. The base of the sculpture mimics rough earthen terrain.

Acorn shaped ceramic coin bank. There is a diagonal slot in the upper part of the acorn. The top of the acorn and the foot are painted with a darker orange slip or paint. The base is signed "Mario Lagartinh[o] Estremoz" (the last name cuts off the edge).

Acorn-shaped ceramic coin bank. There is a diagonal slot in the upper part of the acorn. The top of the acorn and the foot are painted with a darker orange slip or paint. The base is signed "M.L. Estremoz"

Dark orange ceramic water jug with a side handle in the shape of a tree branch. The body of the jug has three-dimensional leaves and acorns patterned on the surface, as well as a coat of arms on the front. The sides of the coat of arms say "Recordação de Estremoz". A small lid (part b) sits down inside the neck. The base is somewhat rough and unsigned.

Tall, plain, dark orange ceramic jug. Jug has a thin foot, then a smooth surfaced body rising to the spouted opening. A handle attaches from the lip to the shoulder of the jug. The surface has been painted with a darker orange slip or paint. Signed on base "Mario Lagartinho Estremoz"

Large low-fired, non-glazed bowl, possibly a bread bowl or serving dish. Mouth is wide, with sides gently curving in toward the small, slightly rounded base. The upper half of the bowl is painted with a repeating feather motif in orange and brown on a white background. The lower half and interior of the bowl are dark orange, stone polished to a shine.

String puppet (marioneta) of the character Triton, Greek god, messenger of the seas. Puppet is paper mache, with an orange face, large plastic green eyes, heavy brow, long drooping nose, large lips and pointed chin. Scalp is blue-green with several small fins. Neck is a ball that allows the head to rotate in all directions. Chest is human-like, while back is covered by several large fins. Hands are orange with 4 fingers each. Bottom of body is made up of clear plastic tubing and masses of white, textured plastic sheeting. Puppet is controlled by a set of large plastic covered wooden sticks, with marionette strings attached to the head, shoulders and hands.

String puppet (marioneta) of the character Neptune with carved wood face, a pointed beard tipped with a painted shell, pink lips, a long nose, black plastic eyes, sharply defined brow, short forehead and prominent ears. Small shells cover the scalp. A thin wooden stick protrudes from the back of the head and is the only method of controlling the puppet. Puppet’s torso is paper mache. Arms and hands are wood. Torso and arms are covered by decoupage in patterns coloured blue and red, while hands are painted light blue. The creature’s bottom is made entirely of thin, white, flowing plastic sheeting. A long blue cape attaches at the shoulder and hip by a beaded cross-chest belt and falls the length of the plastic bottom. Puppet’s hands and face are delicately carved and detailed. The trident (part b) is aluminum, with a long staff and three pronged head. The whole is wrapped with brass wire, with clear beads threaded on intermittently. Each prong is topped by a gold triangle.

Large bowl with a bulging body. The wide midpoint recedes toward a narrow mouth at top and small base at bottom. The lower half of the bowl is painted orange and glazed, with no decoration. Around the midpoint is a strip of brown with a light coloured broken zigzag motif. Above this is painted a base colour of light brownish-grey, covered with linear designs in dark brown and orange. The interior is undecorated and unglazed.

Low-fired, unglazed clay olla. Mouth is wide, with a short neck and widely flaring shoulder. Body inclines toward a small, circular base with a slight punt. Painted decorations in black and orange cover the white underpaint, and the set repeats three times. Included are geometric patterns, solid lines of colour, fine stripes and dots. The bottom quarter of the pot is painted orange with no embellishment, as is the base. The interior is unpainted but for several inches of orange inside the lip.