Painted bark cloth mask. Body of mask is made of a single piece of bark cloth, sewn together at the back of the head with the neck and shoulder portion remaining loose. A round panel stitched to the front is painted with large eyes, thick eyebrows and an open mouth with teeth. A large protruding nose of cloth emerges from the centre of the face. The forehead comes to a peak above the face panel. Two large oblong ears are attached to the piece on either side of the face and angle upwards. The body and head are painted with lines and colour blocks in blue, yellow and brown. The back of the cloth has paint marks from the painting on the front.

Painted bear headdress. The head is wide and slightly rounded, with large wedge-shaped ears on top outer edges splaying slightly to either side. A carved line emphasizes the forehead and head top, which are painted black. Eyes are red and white, surrounded by green, backed by carved red rectangles. The black and natural brown snout is wide, tapering toward the nose where carved nostrils are painted red. The bared teeth are square with pointed cuspids, painted white. The interior of the headdress is hollowed out. "Hank Robertson" is carved in the wood, inside.

Brooklyn Museum Collection

Rattle made of six cones of tin attached to a wooden handle. The cones consist of different sizes, three wide and long, and three shorter and smaller in diameter. All are crimped at the handle, where they fit into a metal ring that joins them to the handle. Each cone widens toward the base. The larger three contain a wire hung with a metal nut as a clapper. The cones are decorated with circle and line motifs pressed into the tin. The wooden handle has an engraved line that spirals from end to end.

Long, pointed hand axe. Flattened oval shape overall. There are some areas of polish, particularly near the blade end. The blade’s edge is rough.

Wooden pipe. The larger piece (part a) is decorated on the middle third with two thin bands of painted, cross-hatched design on either side of a reddish middle panel featuring intertwined abstract designs. At the centre of these design are triangles containing hourglass shapes. The designs are outlined in dark brown pigment and filled in with many parallel horizontal lines. At one end of part (a) the wood is coloured darker than the rest of this piece and wrapped in a thick band of synthetic fibre. Part b is undecorated aside from a small band of stylized ‘v’ shapes. There are ash remains inside both parts. Both parts have tape wrapped around them, one at the end, the other at midsection.

Wooden pipe. Large pipe consists of one open end and an opposing rounded end with a small circular opening. The outside surface is decorated with linear designs. The exterior is riddled with small holes while the interior retains some ash, particularly at the rounded end. There is a white band of paint(?) running along the midsection of the pipe.

Wooden shield. The front is decorated with carved and painted abstract patterns. The top and bottom sections of the shield are painted red with ochre pigment, and two thinner black bands border the carved panel of decoration that covers the majority of the shield. The carved decoration consists of two sections, top and bottom, featuring four sets of conjoined coiled shapes with a diamond pattern at the centre. These are painted red and are raised above the background, which is white. Running between the upper and lower sets of coiled shapes are two undulating raised shapes which are in-filled with red pigment. The central diamond is raised and painted red with a white diamond in relief surrounding it. Part b is a fragment of the shield which fits into the upper left corner, decorated with one half of a coiled line motif. A considerable fragment of the upper section of the shield is missing as are large portions of the borders around the sides of the shield.

Model totem pole. The base of the pole is carved to show a kneeling bear partially painted black, front paws resting on the centre of the chest. The bear is surmounted by a large spotted frog facing upward, legs wrapped around to the sides of the pole. Above the animal’s open mouth is a small red canoe holding three human faces. A second upward facing frog sits above this, also spotted and with legs clutching the pole. A human figure surmounts the pole, legs bent, toes pointing inward, hands on knees to either side of a large rounded belly. The face is wide, with a red mustache and brows, and a smooth, bald head. The back of the pole has been hollowed.

Carved and painted model pole. The base of the pole is carved to show a seated human figure partially painted red, toes pointed inward, hands grasping a small bear around its waist. Its open mouth shows teeth, with heavy brows over wide set eyes. Above this figure are carved five more bears. Three smaller bears are painted with black spine and rib lines, two face downward and one up. A large bear sits at centre facing front, all feet turned toward his spotted belly. At the very top a smaller bear also faces front with paws resting on its chest. The back of the pole has been hollowed out.