String puppet (marioneta) of the character Neptune with carved wood face, a pointed beard tipped with a painted shell, pink lips, a long nose, black plastic eyes, sharply defined brow, short forehead and prominent ears. Small shells cover the scalp. A thin wooden stick protrudes from the back of the head and is the only method of controlling the puppet. Puppet’s torso is paper mache. Arms and hands are wood. Torso and arms are covered by decoupage in patterns coloured blue and red, while hands are painted light blue. The creature’s bottom is made entirely of thin, white, flowing plastic sheeting. A long blue cape attaches at the shoulder and hip by a beaded cross-chest belt and falls the length of the plastic bottom. Puppet’s hands and face are delicately carved and detailed. The trident (part b) is aluminum, with a long staff and three pronged head. The whole is wrapped with brass wire, with clear beads threaded on intermittently. Each prong is topped by a gold triangle.

Large bowl with a bulging body. The wide midpoint recedes toward a narrow mouth at top and small base at bottom. The lower half of the bowl is painted orange and glazed, with no decoration. Around the midpoint is a strip of brown with a light coloured broken zigzag motif. Above this is painted a base colour of light brownish-grey, covered with linear designs in dark brown and orange. The interior is undecorated and unglazed.

Low-fired, unglazed clay olla. Mouth is wide, with a short neck and widely flaring shoulder. Body inclines toward a small, circular base with a slight punt. Painted decorations in black and orange cover the white underpaint, and the set repeats three times. Included are geometric patterns, solid lines of colour, fine stripes and dots. The bottom quarter of the pot is painted orange with no embellishment, as is the base. The interior is unpainted but for several inches of orange inside the lip.

Painted bark cloth mask. Body of mask is made of a single piece of bark cloth, sewn together at the back of the head with the neck and shoulder portion remaining loose. A round panel stitched to the front is painted with large eyes, thick eyebrows and an open mouth with teeth. A large protruding nose of cloth emerges from the centre of the face. The forehead comes to a peak above the face panel. Two large oblong ears are attached to the piece on either side of the face and angle upwards. The body and head are painted with lines and colour blocks in blue, yellow and brown. The back of the cloth has paint marks from the painting on the front.

Painted bear headdress. The head is wide and slightly rounded, with large wedge-shaped ears on top outer edges splaying slightly to either side. A carved line emphasizes the forehead and head top, which are painted black. Eyes are red and white, surrounded by green, backed by carved red rectangles. The black and natural brown snout is wide, tapering toward the nose where carved nostrils are painted red. The bared teeth are square with pointed cuspids, painted white. The interior of the headdress is hollowed out. "Hank Robertson" is carved in the wood, inside.

Brooklyn Museum Collection

Rattle made of six cones of tin attached to a wooden handle. The cones consist of different sizes, three wide and long, and three shorter and smaller in diameter. All are crimped at the handle, where they fit into a metal ring that joins them to the handle. Each cone widens toward the base. The larger three contain a wire hung with a metal nut as a clapper. The cones are decorated with circle and line motifs pressed into the tin. The wooden handle has an engraved line that spirals from end to end.

Long, pointed hand axe. Flattened oval shape overall. There are some areas of polish, particularly near the blade end. The blade’s edge is rough.

Wooden pipe. The larger piece (part a) is decorated on the middle third with two thin bands of painted, cross-hatched design on either side of a reddish middle panel featuring intertwined abstract designs. At the centre of these design are triangles containing hourglass shapes. The designs are outlined in dark brown pigment and filled in with many parallel horizontal lines. At one end of part (a) the wood is coloured darker than the rest of this piece and wrapped in a thick band of synthetic fibre. Part b is undecorated aside from a small band of stylized ‘v’ shapes. There are ash remains inside both parts. Both parts have tape wrapped around them, one at the end, the other at midsection.

Wooden pipe. Large pipe consists of one open end and an opposing rounded end with a small circular opening. The outside surface is decorated with linear designs. The exterior is riddled with small holes while the interior retains some ash, particularly at the rounded end. There is a white band of paint(?) running along the midsection of the pipe.