Clay bowl with wide mouth and a neck that flows at an outward angle away from the rim. The shoulder is low and cuts sharply in toward the round, bulbous base. The interior of the pot mimics the exterior. The rim is painted a dark brown and orange-brown, with a pattern of thin brown lines in geometric forms on a cream background encircling the pot’s shoulder. The bottom is decorated with a series of criss-crossing lines and V-shapes in brown, rust and orange. The surface is shiny.

Clay bowl with wide flaring mouth and straight sides that incline sharply to a round base. The interior is decorated with thick lines of white and rust, and thin lines of brown and rust in V-shapes and a central X-shape. The finish is matte. The exterior is painted with small, delicate geometric designs in brown and rust, over a light brown base colour. Lines of brown and red-brown encircle the rim. The outer surface is shiny.

Clay "joni chomo" portrait pot. The mouth of the pot is small with a slightly flared rim. Below is a small but wide face with protruding nose, cheeks, ears and chin. The eyes are painted oblongs with a small pupil. The mouth is a small incised line emphasized by brown paint. The back of the head is painted brown. The face, ears and body to the shoulder are covered in large open patterns of dark brown lines with rust coloured accents, on a light brown base. The area below the shoulder is undecorated, but has large spots of black carbonization.

Clay "joni chomo" portrait pot. The mouth is wide, with a thin and slightly flaring rim. The interior is painted black. A face is situated on the neck with protruding nose, cheeks and chin. The eyes are painted oblongs with a small pupil. The mouth is a carved line emphasized by brown paint. The ears are brown and protrude, and the back of the head is painted brown. The face, as well as the pot’s body to the shoulder, are covered in patterns of dark brown lines with rust coloured accents, on a light yellow base. Beneath the shoulder to the foot the pot is rust in colour with large areas of black. The base is slightly concave.

Wooden mask has a broad, somewhat flat face, with a receding chin that is topped by a large protruding lower lip painted red. The nose is large and narrow, accented with red paint, and bridge extending to top of mask. The eyes are small and round with viewing holes bored through the wood. The face is bordered by a carved line running from brow, around cheeks to lips, from which the sides of the mask drop sharply away. The head is covered by a black hat or hair. The interior of the mask is slightly concave. Two small holes are bored through the upper sides of the mask and are fitted with a thin brown string.

Clay bowl with wide mouth and rounded sides that incline sharply to a small round base. The interior is decorated with white and brown lines of varying widths in linear patterns, on top of a red slip base. The overall finish is matte. The exterior has a more intricate and smaller pattern of lines in varying widths and of a dark brown, on a light yellow background. The outer surface is shiny.

Clay bowl with wide round mouth and curved sides that recess to a small round base. The interior is painted in a matte finish and decorated sparsely with brown and white lines in patterns of large crosses and smaller knots. The exterior has a shiny finish over an intricate design of thin brown lines surrounded by thicker lines marking a larger and simpler pattern. Small shapes in orange further embellish the design.

Carved and painted hardwood paddle with a long leaf shaped blade. At the throat on the dorsal surface is carved a stylized human with large headdress, sharp red teeth, broad nose, long thin neck, arms, hands and fingers. The figure is painted red and black. The tip of the blade on this side is red. On the ventral surface is a long raised and painted spine painted red and black, with thin arms and fingers again carved at the throat. The tip is painted black and red with a V-shaped design. The paddle’s shaft is long and straight, narrowing slightly toward the anterior end, and has no embellishment.

Carved wooden figure of a standing woman, with two very large feet. The toes are carved, knees are bent. The stomach and breasts protrude. Both arms are raised above the head and have carved fingers. The head is large and round, with a face defined by a sharp carved delineation and a colour change to light brown. The chin is pointed, and the face widens toward the forehead. The nose has a thin bridge and is long, extending through the forehead to an inverted point at the border of the face. Mouth is a small slash across the chin. Eyes are protruding small slits.

Wooden two-piece headdress or helmet mask. The body of the headdress is in the shape of a crocodile head, with big round eyes at front, ears the shape of an inverted V, and a long thick snout full of red teeth, some with rope tied around the base. A dog(?) decorated with white, blue, and red spots is held in the teeth. At the back of the crocodile’s head is a bird attached to the mask at head and feet. It too is decorated with dots, as well as stripes and blocks of colour. On top of the mask is a standing human figure that fits into a hole. The figure is detachable (part b) and has an elaborate headdress, painted facial markings and neck rings. The figure has blue arms, breasts, and buttocks, and red hands and feet. A piece of rope is tied around the right wrist.