Small ceramic pot has a flaring rim and a recessed neck, where it flares out to the midway point of the body, then recedes at a sharp angle to a rounded bottom. The pot is marked on the shoulder and body with several unevenly spaced dark lines that could be drips, three of which end at the pot’s bottom point. A small chip has been taken out of the rim.

Round ceramic dish with a wide mouth and a rounded bottom. The interior of the dish is covered with orange powdery pigment and the bottom is painted a darker orange. The three legs are in the form of animal heads, with the nose at bottom. Large round eyes top a long, wide snout and fingers protrude to either side of the head.

Clay vessel, black in colour. The body is bulbous and relatively tall, with several thick encircling depressions pressed into the clay. A small mouth opens into the hollow centre of the object, below which is a face with large round eyes and a protruding snout with incised nostrils and mouth. The vessel stands on three small square legs, each with a series of incised decorative lines.

Round clay bowl with a deep body and wide mouth, narrowing to a rounded bottom. Bowl is decorated on the outside rim with two encircling lines of orange pigment. On the inside are encircling lines in orange and brown at the midpoint, above which are colour blocks and curved and linear designs in orange outlined with brown.

Round clay pot. The body is deep, with a wide mouth narrowing to a rounded bottom. Three conical legs with prominent, round shoulders support the pot, and taper to a small tip at the bottom. Two holes pierce each leg, and when the object is moved, a soft rattling sound is emitted. The pot is painted orange with dark brown lines encircling the interior and the legs, with large patches of the colour covering the bottom and the inside of the legs.

Small clay dish in the shape of an animal. The mouth of the dish is wide, with a rim that overhangs the interior slightly. The body is rounded and squat, with two nub legs raising it in the front and a single wider leg, perhaps representing a tail, supporting it at the back. A small triangular head protrudes from the front and on each side is a long, thin protrusion with pointed tips front and back.

Terracotta seated, human-like figure that has a large head with slightly protruding features, painted eyes and brows, rings at the ears, and a humped top. The remaining arm is held akimbo, the stomach is rounded and the knees are drawn up, large feet projecting to the front. The back is straight and rounded, with a pointed bottom. The figure is hollow with a large hole on the base opening into the interior, and a smaller hole on the back of the head. Painted embellishments include a headdress, belt and leggings.

Clay stamp. Face is flat and square, with a deeply cut multi-square pattern. Remnants of a dark red pigment cling to the edges of the pattern. The body of the stamp is somewhat bell shaped, flaring at the bottom and tapering toward a short nub handle. The colour is a mottled red, black and brown, shiny in some areas.

Clay stamp; face is a sharp, deeply carved motif of a small ring sitting inside a larger one. A green pigment clings to the edges of the pattern. The body is wide and flaring, narrowing at the neck into a long tapering handle, rounded at the top.

Clay rattle in the shape of a standing animal. A rounded body balances on two wide feet, a hole bored into the rattle between them. Between stubby arms is a snout with a long nose and wide mouth, with two rimmed eyes above. A thick round headdress has two flaps that fall down the animal’s back. A soft rattle emanates from the body when the instrument is shaken.