Clay ocarina is composed of two nearly identical sides connected at top and bottom with a thin neck of clay. Each side has a long neck with a wider body, topped by a protruding nub. A wide incision at the mouth separates airflow into two chambers (windways), and each side of the instrument has its own windcutter beneath. Each also has a single pitch hole at the opposite end from the mouthpiece. The top of the ocarina is decorated with orange and dark brown pigment in circles and lines. The bottom is undecorated and two tiny nubs serve as legs.

Clay ocarina. The squat, bulbous body is topped by a conical protrusion which contains a diagonally bored hole (windway), beneath which is a large opening (windcutter) into the hollow body of the instrument. A smaller cone is situated on the bottom of the ocarina, also with a hole bored from the top into the body. Three small perforations sit on the surface of the object but do not pierce through. The ocarina is decorated with dark brown and orange pigments in symmetrical line patterns.

Painted terracotta footed pot. The body is tall and egg shaped, with a somewhat rough rim around a narrow mouth. It is painted with the image of a feathered serpent, with flowing lines, dots and patterns coloured in orange and brown and has a cream slip. The pot has a prominent foot that flares downward and is decorated with encircling lines of brown and orange. The bottom of the pot inside the foot is very round, as if continuing the egg shape of the body. The interior of the pot is undecorated.

Painted ceramic figure of a woman. Atop her head there is a red basket with 6 pieces of round fruit painted in various bright colours. Her left hand is upraised to support the fruit. In the crook of her right arm is another basket, with a handle, containing purple fruit with green stems. The woman has black curly hair that falls down her back in two braids. Between the braids, there is a slit into which coins can be inserted. The woman’s face has been unevenly painted with two different skin tones. She has rosy pink cheeks. The woman wears gold earrings and a gold necklace and wears a white short-sleeved blouse with red and green embroidery around the neck and the sleeves. Overtop of the blouse, there is a sleeveless v-neck poncho with an asymmetrical hem with a fringe around the edge. The top half of the poncho has a pattern with red, yellow, blue and brown stripes and black dots. The lower portion of the poncho has a pattern with blue, black, red and brown cross-hatching over a yellow background. Her skirt is wide, yellow and A-line. Along the bottom edge of the skirt there is a green, blue, pink and red design with flowers. The woman’s small feet are visible beneath her skirt, wearing blue shoes with yellow dots. She stands on a green base. The bottom of the figure is indented; the edge is painted orange. There is a small hole in the bottom.

Painted ceramic figure of a woman. Atop the woman’s head is a brown basket with 6 pieces of fruit painted in various bright colours. The woman supports the basket with her upraised left arm, and in the crook of her right arm holds a yellow basket with a handle, containing orange-red fruit with green tops. The woman has curly black hair which falls down her back in two black braids. Between the braids is a slit in which to place coins. She wears gold earrings and a gold necklace. Also, she is wearing a light green short-sleeved blouse with dark green and red embroidery around the neck and sleeves. Over top of the blouse, there is a short-sleeved poncho. The poncho is sleeveless, has a v-neck and an asymmetrical hem with fringe along the edge. It has a red background with an orange and yellow design and drapes over her voluminous dark green skirt. Along the bottom edge of the skirt, there is a pattern in yellow, blue and red. Underneath the skirt, her small red shoes are visible with yellow dots on them. She stands on a green base. The bottom of the figure is indented and unpainted. It has a small hole in the centre.

Carved and painted wooden figure. Pair with 2903/55; together the pair is a traditional wedding couple known as Loro Blonyo. This figure is the male, who wears a round gold and black hat with a pointed gold knob on top of it which sits just above his ears. The figure has two ears on each side: the top portion of the ear is very pointy and rests on a more human lower ear. His eyebrows and pupils are painted black. There is a round black bun on the back of his head. The man’s skin is yellow. He wears a blue jacket with wide lapels. The buttons and other detailing on the jacket are painted gold. His hands rest on his thighs. His lower body is enveloped in a red skirt with an incised pattern. The form and position of his lower body is obscured by the skirt but he appears to be in a seated position. There is a hole on the bottom of the object suggesting it is hollow.

Low-fired pottery figure of a woman with orange detailing. The woman’s hair is in two braids which meet at the top of her head. Eyebrows, a nose with nostrils, eyes, lips and ears have been added to her face. There are small lines incised in her eyebrows to represent hairs and there are small lines around her eyes to represent wrinkles or eyelashes. Orange tear drop earrings hang from her ears. She also wears an orange necklace made of six orange dots of clay. In her left arm she carries a pot which is positioned so that the opening faces the front. The pot has an orange rim. There is a basket in her right arm; it has an orange handle made from two pieces of twisted clay. In the middle of her body there is a flower with orange petals. She wears a round skirt to the ground. On the front of the skirt there are two birds in profile facing each other; there is another flower with orange petals in between their bodies. The bird’s feet and feathers are incised in the clay. Directly below the bird’s feet are the woman’s own small feet, which stick out from under her skirt. Around the back of her skirt, there are three more flowers with orange petals. On both sides of each of these flowers, there are two orange leaves or petals. The interior of the woman’s body is hollow.

Iron roof cross. Traditionally, roof crosses are put on top of newly constructed houses for protection. The bottom of the cross is plain and has a pointed end. Above this section, there is a curved banner with the year stencilled through the metal. This banner is suspended between two angels in profile. The angels have black hair and shoes. Their wings and torso are painted pink and their skirts are red. They have their arms bent at the elbow, as if in prayer. Further up the cross, there is a gold, multi-tiered chalice. This chalice seems to have the sun emerging out of its top. At the intersection of the horizontal and vertical portions of the cross, there is a large red heart. This heart has a small, white cross emerging from the top of it. There are also yellow rays of sun extending outwards from behind the heart. On either end of the horizontal portion of the cross, there are grey shapes with hollow centres that resemble three leaf clovers. At the top of the cross there is a grey fleur de lis. There is a piece of tape on the back of the image with a number written on it.

Wooden painted carving of two oxen yoked together; part of a "San Isidro Labrador" set. Both oxen are painted black with brown eyes, dark brown horns and hooves, and have a thick ridge of muscle running around their necks. The ox on the left of the image gazes forward and has its mouth open. Its tongue extends out of its mouth to lick its nose; its mouth and nostrils are painted pink. The left ox has its tail bent and resting on top of its back. The ox on the right has white patches on its black fur, including a triangular white patch on its forehead and a line of white hair along its spine. This ox has its head tilted to the right and its mouth is closed, and its tail down. The oxen are yoked by a piece of wood which rests on the front of their shoulders. Over each torso the yoke is curved to fit the bodies and is affixed with leather rope which wraps around the left ox’s neck twice and the right ox’s neck three times. Hanging down from the yoke and attached by a piece of string, there is a long cylindrical piece of wood that extends in between the oxen bodies and further back. There is a square hole through the end of the piece. The oxen stand on a square base that is painted green-blue. Part b is a rectanglular piece with a triangular point at one end and a smaller rectangle cut out of the other end. Part c has a horizontal portion at one end which meets the remainder of the piece at a right angle. Upwards from this right angle, another portion of the object branches off at a more acute angle. There is a small hole through the object at one end.

Carved and painted wood figure of a man in colonial African cothing. The man wears a white pith helmet with a dark brown button on top of it. The man’s face and the rest of his skin is dark brown. In the left side of his mouth, he holds a small cigarette made of plastic. He wears a khaki uniform. The shirt has a collar, rolled-up sleeves and pockets on either side. There are four buttons down the front of his shirt. He stands with his hands in the pockets of his khaki shorts. His khaki shorts are secured with a dark brown belt and have two pockets on the back. His torso is quite long in proportion to his legs; only a small portion of his calves are visible underneath his shorts. He wears white socks which are pulled up high. He also wears light brown shoes. The man stands upon a dark brown, round base.