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Crucifix02.257.2427

Painted, wooden figure of Christ on the Cross with the Sacred Heart of Christ at his feet and painted cherub faces at each end of the horizontal bar of the cross.

Material
pine wood, leather, gesso and water-based paint
Holding Institution
Brooklyn Museum
View Item Record
Kneeling Deer1989.10.3

Modeled deer with legs folded under in a posture of repose. (lower right in photo) Tail and ears are modeled; eyes are indicated by holes. Three-pronged antlers, constructed from twisted bits of hide, are inserted in front of the ears. Most of the body of the deer has been covered with black slip. Unslipped are the chin, upper chest, and most of the bottom of the piece.

Culture
Hopi-Tewa Pueblo
Material
clay, paint and hide
Holding Institution
Brooklyn Museum
View Item Record
Standing Buffalo1989.10.2

Compactly modeled buffalo (photo left) standing on four legs with head slightly lowered. Incisions on the back of the two front legs indicate long hair. Neck ruff and beard are moldeled. No hoofs indicated. Leather ears and tail are inserted into the clay.

Culture
Hopi-Tewa Pueblo
Material
clay, paint and leather
Holding Institution
Brooklyn Museum
View Item Record
Kachina Doll2010.6.2

Crow Mother (Angwusnasomtake) Kachina Doll. Female figure carved from one piece of cottonwood root she leans slightly forward and holds both arms out carrying a bundle of sticks. Her headdress is large and dramatic with rayed feathers on either side of a bright blue helmet style mask with slender blue horns. The front of the mask has a large upside down, black triangle with a smaller one under it. Across the top and down the sides of the mask is a braided yellow and red yarn. There is a fur ruff around her neck. She wears a long dress made from cotton and trimmed with red and green yarn with a white braided yarn sash. She has a white, canvas mantle around her back and wears carved white boots. Crow Mother performs many roles and functions. She participates in the initiation blessings of children 10 - 15 years old, guides the whipper (punishment) Kachinas who are considered to be her children. Aggressive in temperament she is very active insuring that she will get attention and that her messages about the importance of the Kachina culture will be heard by the initiates. She appears during the Powamuya- purification ceremonies in February. Note the Kachina is portrayed by a man.

Culture
Pueblo and Hopi
Material
cottonwood root, acrylic paint, feather, stick, yarn, canvas, cotton and fur
Holding Institution
Brooklyn Museum
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Bowl04.253

Brooklyn Museum Collection

Culture
She-we-na
Material
clay and paint
Holding Institution
Brooklyn Museum
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Kneeling Deer1989.10.12

This kneeling deer has hide antlers and feathers dangling from his chin area. (front right) Remnants of paint are on his body.

Culture
Hopi-Tewa Pueblo
Material
clay, paint, hide and feather
Holding Institution
Brooklyn Museum
View Item Record
Standing Deer1989.10.11

(upper left in photo) This yellow painted clay deer has hide ears, indentations for eyes and straight legs..

Culture
Hopi-Tewa Pueblo
Material
clay, paint and hide
Holding Institution
Brooklyn Museum
View Item Record
Badger or Mole1989.10.10

(Center right in photo) This bulbous formed mole has painted eyes and a hide tail.

Culture
Hopi-Tewa Pueblo
Material
clay, paint and hide
Holding Institution
Brooklyn Museum
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Kneeling Deer1989.10.9

This is a small, fired clay deer with leather antlers and ears.The leather is painted with a slip. The deer is positioned as if curled in sleep. There are tool marks and fingerprints on the body and incised eyes and nostrils with hide antlers.

Culture
Hopi-Tewa Pueblo
Material
clay, paint and hide
Holding Institution
Brooklyn Museum
View Item Record
Standing Buffalo1989.10.8

(Photo lower left) Roughly modeled buffalo with slight indications for his hair, rough under his chin, paint traces down his forehead and hide for ears and tail.

Culture
Hopi-Tewa Pueblo
Material
clay, paint, hide, hair and horn
Holding Institution
Brooklyn Museum
View Item Record